Jasleen Kaur is a Research Associate at the Sikh Research Institute. She has received a Religious Studies B.A./M.A. from the University of Virginia, focusing on South Asian Religions through the lens of literature and poetry.
She is one of the commentators and transcreators of The Guru Granth Sahib Project. She is passionate about projects that create comfortable spaces for community members of all ages and backgrounds to engage in dialogue and learn from one another. She also loves singing in her free time, whether on stage with her friends or alone in her kitchen.
She hopes to go back to school to pursue a Ph.D. in either religious ethnography or history and fulfill her dream of teaching and learning from others.
Jasleen Kaur resides with her family in the United States.
The poetic form ‘Var Sat’ (a composition based on the seven days of the week) is commonly called ‘Satvar’ or ‘Satvara.’ It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
Patti is a poetic form based on the Gurmukhi alphabet. Historically, students used a wooden tablet, known as patti in Panjabi, to practice writing the alphabet. The Guru Granth Sahib includes many compositions based on the alphabet.
Chaubole is typically described as a poetic form governed primarily by meter and lines, usually four, as a song with four segments, or as a verse containing four languages.The theme of the Chaubole composition by Guru Arjan Sahib is love.
Explore some of the major themes of Guru Teghbahadar Sahib’s bani as contained in Guru Granth Sahib.
This composition is revealed by Guru Ramdas Sahib (1534-1581 CE) in Rag Sirirag and is recorded on pages 81-82 of the Guru Granth Sahib. It has six stanzas of five lines each. With every stanza, there is an additional stanza of rahau of two lines.
Just like the Alahania revealed by Guru Nanak Sahib, this composition revealed by Guru Amards Sahib also illustrates the impermanence of the material world and inspires the mind towards a perpetual connection with IkOankar (the Divine).
Sikh Research Institute (SikhRI) has released its sixth report in the State of the Panth series titled Sikhi & Sexuality, exploring how Sikhi has influenced the collective behavior of the Sikhs when it comes to sex, pleasure, and procreation.
Jasleen Kaur says "This sabad has gently nudged me forward, too many times to count — moved me in some tangible direction, reminded me that the hard days — the days when I cannot get myself to do much of anything — are transient."
At this point in my life, this sabad has come to me for reasons other than telling me to keep moving even when everything feels big and hard to navigate.
The Sikh Research Institutes Researcher, Jasleen Kaur, reveals her journey through grief and reflection. She then expresses how one particular Sabad has helped her on the path.
Jasleen Kaur and Sean Holden look into the concept of Vastness in Sikhi. Through poetics and Gurbani from the Guru Granth Sahib and renowned Sikh poets, we delve into how to find comfort and 1ness in times of struggle.
Jasleen Kaur shares how society is dealing with the effects of a global pandemic, for better and for worse. She explores the nature of feeling anxious during uncertain times, and by reflecting in Sabad we find not only the strength to deal with lockdown but to look towards a better future.
This report provides a comprehensive overview of the current crisis involving Sikhs, Panjab, India, and the diaspora, with a focus on the historical context primarily from 1984 to 2023.
This report aims to understand and explore caste and race within a Sikh worldview, the complexities of their intertwined developments, and the varied responses to practices and structures of casteism and racism from dominant and marginalized groups.
Women’s issues and the issues of gender as it applies to all gender identities are being grappled with globally. These issues have existed throughout history, and as time goes on, they change shape.
In recent news and current events, “beadbi” has come to the forefront as a topic of discussion. But do we as Sikhs collectively understand what beadbi is, how it has been dealt with historically,...
As the world becomes more interconnected, we understand how some have an abundance of monetary wealth, and others do not, and the more we understand the various needs unaddressed in our backyards and abroad.
Death is a thing we all must do. But we are deeply afraid of it. How do we form a relationship with death? This article explores Salok Mahala 9 as Guru Teghbahadar Sahib helps us confront our fear of death and understand the lessons death...