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ਅਲਾਹੁ ਅਲਖੁ ਅਗੰਮੁ ਕਾਦਰੁ ਕਰਣਹਾਰੁ ਕਰੀਮੁ ॥
alāhu alakhu agammu kādaru karaṇhāru karīmu.
Allah is Unseeable, the Unattainable, the All-Powerful, the Creator-Maker, the Bountiful.
Through the Persian-influenced Sabad of Guru Nanak Sahib, Asha Marie Kaur explores our feeling of "place" in light of COVID-19.
How do we cope when the physical places we frequent are beyond our reach? Guru Nanak Sahib's redefines the Sufi principle of "maqam" or spiritual waystation and provides insights.
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Asha Marie Kaur is a Research Assistant with SikhRI. She has a BA in Political Science and International Studies from Northwestern University in Evanston, Illinois, where she was born and raised.
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Persian-based Sabad is difficult to read and understand for both native Panjabi speakers and native Persian speakers.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.
2-time Sidaker Manmit Singh joins Jasleen Kaur to reflect on connection, community, and their deepening relationship with Asa ki Var, a guiding light through threads of hope and hopelessness.
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