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ਹਮ ਜੇਰ ਜਿਮੀ ਦੁਨੀਆ ਪੀਰਾਮ ਸਾਇਕਾ ਰਾਇਆ ॥
ham jer jimī dunīā pīrām sāikā rāiā.
هم زیر زمین دنیا پیران شیخ ها راییا
All the sheikhs, spiritual teachers, rulers [will be buried] under the ground.
Guru Nanak Sahib tells us, the Kings, “sāhā” or shāh-hā (شاه ها) will go next. “Aphajū” is a permeation of the Persian word afzūn (افزون), which literally means “more” or “increased”. In Urdu poetic usage it can mean “extra” or the “remainder”. In this context, the usage of this word tells us all that remains is Khuda (The Creator). In the Sikh paradigm, we are all part of 1. Our individuality is a temporary illusion--the only thing which remains is the Divine. This couplet ends with the first repeated ending, You are One, You are One.
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Asha Marie Kaur is a Research Assistant with SikhRI. She has a BA in Political Science and International Studies from Northwestern University in Evanston, Illinois, where she was born and raised.
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Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this transcreation, we have chosen to keep the repeating words in the Sabad the same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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To mark the 40th year of the violence of 1984, we reflect on the events that unfolded in India and make connections with the ongoing and durable violence against Sikhs, Muslims, and other minority groups in India and the diaspora.
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
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