.svg)
ਹਲੇ ਯਾਰਾਂ ਹਲੇ ਯਾਰਾਂ ਖੁਸਿਖਬਰੀ ॥
hale yārāṁ hale yārāṁ khusikhabarī.
O friends, O friends, any good news?
–––
This is a continuation of the Persian Voice of the Guru's featuring the Sikh Research Institutes Researcher Asha Marie Kaur.
In this transcreation, the original Gurmukhi is followed by an English transcription to guide the Sabad’s (Divine Word) pronunciation in its original form. The Persian recorded in the Guru Granth Sahib, and standard Persian often have different pronunciations of words with the same meaning. The Perso-Arabic transcription is written with spellings that allow a modern-day Persian reader to understand the text.
This Sabad portrays the relationship between the Creator and creation. It then slowly cultivates the relationship between the humble devotee and the Divine. Bhagat Namdev highlights the role of the Creator. Being committed to the Divine is not an easy task; it is arduous, but not for someone that lives in alignment with IkOankar (1-Ness). Someone who does would frame such labor as beautiful and feel the unwavering greatness in Nam.
Sabad Recitation: Parminder Kaur Chanana
.svg)
.svg)
Asha Marie Kaur is a Research Assistant with SikhRI. She has a BA in Political Science and International Studies from Northwestern University in Evanston, Illinois, where she was born and raised.
View profile ⟶
Sabad is Infinite; we are finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
Suggest a correction →.svg)
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
Harinder Singh explores Bhai Vir Singh's unique framing of Sikh history at Bhai Vir Singh Sahitya Sadan, Delhi.
The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.
.png){kind=small}
.png){kind=small}
.png){kind=small}
Stay informed with our weekly updates, important events and more at SikhRI.
