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ਤਿਲੰਗ ਬਾਣੀ ਭਗਤਾ ਕੀ ਕਬੀਰ ਜੀ
tilaṅg bāṇī bhagtā kī kabīr jī
Tilang, utterance of the Bhagats, Kabir Ji:
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This is a continuation of the Persian Voice of the Guru's featuring the Sikh Research Institutes Researcher Asha Marie Kaur.
In this transcreation, the original Gurmukhi is followed by an English transcription to guide the Sabad’s (Divine Word) pronunciation in its original form. The Persian recorded in the Guru Granth Sahib, and standard Persian often have different pronunciations of words with the same meaning. The Perso-Arabic transcription is written with spellings that allow a modern-day Persian reader to understand the text.
Bhagat Kabir brings to mind a paradigm where there is no distinction between Creator and creation. Instead, the Creator lies within each of us; we will all one day perish or decompose, but the sheer existence of IkOankar is Eternal. As a result, we can find Eternal connections to the Divine within our own hearts and minds. We shall unfold the vastness to reflect the boundless qualities of the Creator.
Sabad Recitation: Parminder Kaur Chanana
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Asha Marie Kaur is a Research Assistant with SikhRI. She has a BA in Political Science and International Studies from Northwestern University in Evanston, Illinois, where she was born and raised.
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Sabad is Infinite; we are finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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In this poetic reflection, writer and narrator Inni Kaur invites us into three quiet evenings she spent in 2025 at Harimandar Sahib—sitting in the parikrama, watching the sunset, listening to Rehras Sahib, and simply being.
Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
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