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I am the maiden-slave of my Ruler.
Grasped feet of Divine World-Life,
killed and ended ego. 1. Reflect.
My life is the Beloved–
Perfect, Supreme, Light, Supreme-Divine.
Enticer enticed my mind,
which understands and reflects on Sabad¹. 1.
Self-centered is weak, with little and false understanding,
Mind, torso, and body are in pain.
When dyed in the Colorful Charmer-Divine,
mind became serene, contemplating Charmer-Divine. 2.
Ego abandoned, became bairagani²,
then Eternal consciousness remained. Mind accepts Self-Existent Immaculate,
Worldly honor, forgotten.
None like You in the past,
nor in the future.
My Beloved is the life support. 3.
Bride-lover is imbued with All-Pervasive’s Nam³.
Nanak: Charmer-Divine is Husband of the bride-lover
who is dyed in All-Pervasive’s Nam. 4.
¹ Literally “The Word.” Popularly refers to the hymns in the Guru Granth Sahib.
2 Divinely-passionate: Colored with Love in intense longing.
3 Divine Identification.
We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.
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Harinder Singh is the Senior Fellow at the Sikh Research Institute. He holds a BS in Aerospace Engineering from Wichita State University, an MS in Engineering Management from the University of Kansas, and an MPhil from Punjab University in the linguistics of the Guru Granth Sahib.
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Guru Nanak Sahib's Sabad, set in the serene and simple Sarang Rag, beautifully captures the essence of devotion and spiritual surrender amidst the oppressive heat of a summer afternoon. Sarang, associated with the late afternoon when the...
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In this poetic reflection, writer and narrator Inni Kaur invites us into three quiet evenings she spent in 2025 at Harimandar Sahib—sitting in the parikrama, watching the sunset, listening to Rehras Sahib, and simply being.
Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.
Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.
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