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I am the maiden-slave of my Ruler.
Grasped feet of Divine World-Life,
killed and ended ego. 1. Reflect.
My life is the Beloved–
Perfect, Supreme, Light, Supreme-Divine.
Enticer enticed my mind,
which understands and reflects on Sabad¹. 1.
Self-centered is weak, with little and false understanding,
Mind, torso, and body are in pain.
When dyed in the Colorful Charmer-Divine,
mind became serene, contemplating Charmer-Divine. 2.
Ego abandoned, became bairagani²,
then Eternal consciousness remained. Mind accepts Self-Existent Immaculate,
Worldly honor, forgotten.
None like You in the past,
nor in the future.
My Beloved is the life support. 3.
Bride-lover is imbued with All-Pervasive’s Nam³.
Nanak: Charmer-Divine is Husband of the bride-lover
who is dyed in All-Pervasive’s Nam. 4.
¹ Literally “The Word.” Popularly refers to the hymns in the Guru Granth Sahib.
2 Divinely-passionate: Colored with Love in intense longing.
3 Divine Identification.
We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.
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Harinder Singh is the Senior Fellow at the Sikh Research Institute. He holds a BS in Aerospace Engineering from Wichita State University, an MS in Engineering Management from the University of Kansas, and an MPhil from Punjab University in the linguistics of the Guru Granth Sahib.
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Guru Nanak Sahib's Sabad, set in the serene and simple Sarang Rag, beautifully captures the essence of devotion and spiritual surrender amidst the oppressive heat of a summer afternoon. Sarang, associated with the late afternoon when the...
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In Bani, the seeker often speaks in the voice of the human-bride longing for union with the Divine-Husband, IkOankar—a profound metaphor that transcends gender and invites all seekers into intimacy, humility, vulnerability, and love.
Saviye Sri Mukhbakya (Mahala 5) I explores a kind of devotion that arises intuitively from love, awe, and lived experience—not from rigid intellectualism or empty ritualisms.
In the Guru Granth Sahib, Din Raini is a poetic form, like Barah Maha, Ruti, Thiti, and Var Sat, structured around traditional Indic units of time.
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