In the Guru Granth Sahib, there are fifty-seven saloks and fifty-nine Sabads revealed by Guru Teghbahadar Sahib (1621-1675). While the saloks are recorded without any prescribed rag (musical mode), the Sabads are recorded under fifteen different rags. Under Rag Sarang, the Guru has revealed four Sabads, which are recorded on pages 1231-1232 of the Guru Granth Sahib. All four Sabads comprise of two stanzas each. The stanza of rahau in each Sabad is separate from these stanzas.
The Sabad opens with the Guru's profound declaration of being a "maiden-slave" of the Divine Ruler, symbolizing complete surrender and dedication.
The Sabad opens with the Guru's profound declaration of being a "maiden-slave" of the Divine Ruler, symbolizing complete surrender and dedication.
Guru Nanak Sahib's Sabad, set in the serene and simple Sarang Rag, beautifully captures the essence of devotion and spiritual surrender amidst the oppressive heat of a summer afternoon. Sarang, associated with the late afternoon when the...
Guru Nanak Sahib's Sabad, set in the serene and simple Sarang Rag, beautifully captures the essence of devotion and spiritual surrender amidst the oppressive heat of a summer afternoon. Sarang, associated with the late afternoon when the...
The Sabad opens with the Guru's profound declaration of being a "maiden-slave" of the Divine Ruler, symbolizing complete surrender and dedication.
The Sabad opens with the Guru's profound declaration of being a "maiden-slave" of the Divine Ruler, symbolizing complete surrender and dedication.