Guru Granth Sahib

Guru Granth Sahib

The Guru Granth Sahib is the eternal Guru and the supreme guiding authority for the Sikhs in every aspect of life. It is accorded utmost respect whenever Sikhs handle it or discuss its text. It is not only the scriptural canon of the Sikhs that offers wisdom, grace, and freedom to all, but it also personifies perfection, and the Divine instituted Sovereignty. The Guru Granth Sahib includes utterances of six Gurus, three Sikhs, fifteen saints of various religious traditions, and eleven bards from the Gurus’ courts. The Guru Granth Sahib is written in Gurmukhi, a script institutionalized by Guru Angad Sahib. It was Guru Arjan Sahib, who compiled the utterances of the previous Gurus, Sikhs and saints, into the Adi Granth, and placed it in Sri Harimandar Sahib, in 1604. Guru Gobind Singh Sahib added the utterances of Guru Teghbahadar Sahib, in the Adi Granth, and raised the scripture to the status of perpetual Guru, ordaining it as the Guru Granth Sahib in 1708. The Guru Granth Sahib should not be viewed as a law book of “dos and don’ts.” It contains a timeless and unique value system for ethical and moral living based on the love of the one Divine.

Videos

Thursday
,
19
December
2024

Explore Var Sat (Kabir Ji)

The poetic form ‘Var Sat’ (a composition based on the seven days of the week) is commonly called ‘Satvar’ or ‘Satvara.’ It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.

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Monday
,
2
December
2024

The Eternal Spirit of Giving

Join Harinder Singh as he delves into The Eternal Spirit of Giving, exploring timeless wisdom from the Guru Granth Sahib. This talk invites reflection on the essence of giving—not just as a responsibility but as a journey towards grace and connection.

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Thursday
,
17
October
2024

Explore Patti (Mahala 1)

Patti is a poetic form based on the Gurmukhi alphabet. Historically, students used a wooden tablet, known as patti in Panjabi, to practice writing the alphabet. The Guru Granth Sahib includes many compositions based on the alphabet.

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Thursday
,
19
September
2024

Explore Bani Bhagat Sain Ji

In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.

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Thursday
,
22
August
2024

Explore Chaubole

Chaubole is typically described as a poetic form governed primarily by meter and lines, usually four, as a song with four segments, or as a verse containing four languages.The theme of the Chaubole composition by Guru Arjan Sahib is love.

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Thursday
,
18
July
2024

Explore Karhale

The term 'karhale' is derived from the Rajasthani and Sindhi word 'karhal,' which means camel. Historically, traders loaded their goods on camels to sell in distant lands, enduring long, arduous journeys.

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Monday
,
7
August
2017

Sheikh Farid in Rag Asa | Guru Granth Sahib 488

This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.

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Sunday
,
20
August
2017

Guru Arjan Sahib in Todi Rag | Guru Granth Sahib 717 | Artist: Harlove Singh

Remember All-Pervasive, All-Pervasive Nam with the Sage-Guru, Naturally the bliss remains day and night, my seed sprouts. Reflect. Fortunately met the Perfect-Guru whose limits cannot be measured, grabbed servant’s hand and pulled it out of the poisono

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Sunday
,
3
September
2017

Guru Arjan Sahib in Rag Kalian | Guru Granth Sahib 1322 | Artist: Bhai Amarjit Singh

In the melodic strains of Rag Gond, Guru Ramdas Sahib's Sabad resonates with a triumphant yet humble spirit, reflecting a balanced perspective on spiritual attainment.

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Monday
,
11
September
2017

Bhagat Pipa ji in Rag Dhanasari | Guru Granth Sahib 695 | Artist: Bhai Amarjit Singh Taan

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

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Monday
,
18
September
2017

Guru Arjan Sahib in Rag Sarang | GGS 1219 | Artist: Bhai Baljit Singh & Gurmeet Singh

The Sabad opens with a call to focus on listening and reading the Teachings, a reminder of our crucial role in aligning ourselves with the wisdom passed down by Truth-Exemplars.

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Wednesday
,
27
September
2017

Guru Arjan Sahib in Rag Kedara | GGS 1120 | Artist: Bhai Gurmeet Singh

The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.

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Articles

Tuesday
,
29
October
2024

Guru Amardas Sahib: The Essence of Giving

This essay reflects on the sacred nature of giving, inspired by Guru Amardas Sahib's and Baba Mohri ji's narrative. It explores the importance of honoring the trust placed in us when we receive resources meant for the greater good.

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Tuesday
,
10
October
2023

Stanza Structure in a Sabad

While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.

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Friday
,
1
September
2023

Wisdom Enthroned

Embark on a transformative journey through Sikhi’s essence as we explore the Guru Granth Sahib. Beyond a conventional text, it intertwines nature, introspection, and wisdom.

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Tuesday
,
14
March
2023

Sabad Hajare Patisahi 10 - Sabad 10: 1’s Identification  

In the tenth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that identifying with the attributes and existence of the 1 eliminates fear.

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Tuesday
,
7
March
2023

Sabad Hajare Patisahi 10 - Sabad 09: Divine Creator

In the ninth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that the One Divine will remain fully capable of destroying and creating.

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Tuesday
,
28
February
2023

Sabad Hajare Patisahi 10 - Sabad 08: That One

In the eighth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib questions how That One can be said to be in one human form.

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Monday
,
5
June
2017

Who are Mother, Father, Children and Wife? Who is Whose Sibling?

Guru Teghbahadur Sahib’s Sabad, composed in Sarang Rag, offers profound wisdom on the transitory nature of the world and the importance of anchoring oneself in the All-Pervasive One.

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Monday
,
5
June
2017

If I Address You as a Leader, How is That Expressing Your Greatness?

In the joyful rhythm of Rag Bilaval, Guru Nanak Sahib's Sabad unfolds with a profound sense of humility, devotion, and recognition of the greatness of the One.

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Monday
,
12
June
2017

I Cannot Live Without All-Pervasive For Even a Moment or an Instant

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

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Friday
,
30
June
2017

Brimful Immortal Nectar is Within the Home

In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

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Sunday
,
2
July
2017

Surrender Mind and Body, Forsake Societal Norms

In the vibrant rhythm of rag Suhi, Guru Arjan Sahib's Sabad emanates profound love and devotion, evoking a sense of reverential adoration.

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Wednesday
,
26
July
2017

I Surrender to My Own Guru

In the melodic embrace of Jaitsari rag, Guru Ramdas Sahib's Sabad unfolds with poignant sincerity, echoing the heartfelt sentiment of dependence and longing.

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Podcasts

Wednesday
,
11
December
2024

Explore Mahala 5 Gatha

Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.

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Thursday
,
28
November
2024

Explore Patti (Mahala 3)

The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.

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Wednesday
,
20
November
2024

Explore Thiti (Mahala 5) [Part 1]

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

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Thursday
,
24
October
2024

Explore Patti (Mahala 1)

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

LISTEN NOW⟶
Wednesday
,
9
October
2024

Explore Maru Kaphi

In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.

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Thursday
,
26
September
2024

Explore Bani Bhagat Sain Ji

In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.

LISTEN NOW⟶
Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

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Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. 

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Monday
,
23
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

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Sunday
,
29
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

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Monday
,
20
February
2017

Guru Hasn’t Held It Back From the Mind

Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.

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