.svg)
Videos
.svg)
Explore Var Sat (Kabir Ji)
The poetic form ‘Var Sat’ (a composition based on the seven days of the week) is commonly called ‘Satvar’ or ‘Satvara.’ It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
The Eternal Spirit of Giving
Join Harinder Singh as he delves into The Eternal Spirit of Giving, exploring timeless wisdom from the Guru Granth Sahib. This talk invites reflection on the essence of giving—not just as a responsibility but as a journey towards grace and connection.
Explore Patti (Mahala 1)
Patti is a poetic form based on the Gurmukhi alphabet. Historically, students used a wooden tablet, known as patti in Panjabi, to practice writing the alphabet. The Guru Granth Sahib includes many compositions based on the alphabet.
Explore Bani Bhagat Sain Ji
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
Explore Chaubole
Chaubole is typically described as a poetic form governed primarily by meter and lines, usually four, as a song with four segments, or as a verse containing four languages.The theme of the Chaubole composition by Guru Arjan Sahib is love.
Explore Karhale
The term 'karhale' is derived from the Rajasthani and Sindhi word 'karhal,' which means camel. Historically, traders loaded their goods on camels to sell in distant lands, enduring long, arduous journeys.
Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
Bhagat Ravidas ji in Gujri Rag | Guru Granth Sahib 525 | Artist: Bhai Harjinder Singh
Metaphors come alive, painting a vivid picture of life's complexities. The imagery of a suckling calf affecting milk, bees disrupting a flower, and fish muddying water draws attention to the innate interplay of purity and impurity.
Articles
.svg)
My Sovereign is New Every Day, Ever and Ever the Giver
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
For, if I Break With You, With Whom Would I Join?
In the melodic embrace of Rag Sorath, Bhagat Ravidas ji's Sabad paints a canvas of profound devotion and love, using the simplicity and sweetness of the rag to convey the depth of spiritual connection.
Charmer-Divine Permeates all Beings, in Water and on Land
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Day and Night I Ask for Nam Within
This Sabad by Guru Ramdas Sahib within Rag Sorath encompasses a tapestry of emotions: seriousness, love, separation, longing, and detachment. Traditionally performed, it encapsulates a spectrum of human experiences.
Articulate the Way, and I Shall Follow
Composed by Guru Ramdas Sahib, this piece is set in Rag Devgandhari, an ancient melodic mode traditionally sung during the second quarter of the day. This Sabad encapsulates the yearning to connect with the radiant Beloved.
I Have No Worthy Flower for the Incomparable
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
That Husband-Beloved’s Love
Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
Everywhere I Go, Bithal is Present
Delve into the Sabad (Shabad) of Bhagat Namdev in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.
Whatever is Asked From the Ruler, That’s What is Given
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
O! Divine! Glance at Me, Graciously Save Me
In the harmonious embrace of Dhanasari, a rag that resonates with happiness, Guru Arjan Sahib crafts a Sabad that delves into the profound aspects of spiritual realization and seeking divine refuge.
O! Eternal-Guru, I Have Come to Your Sanctuary
In the serene setting of Rag Todi, Guru Ramdas Sahib's Sabad echoes with profound reverence, contemplation, and devotion. Todi, celebrated for its solemn and reflective atmosphere, envelops the listener in a tranquil and profound experience.
All-Pervasive Enables World-Ocean Crossing
In the ambiance of Rag Bairari, Guru Ramdas Sahib's Sabad echoes with profound spiritual depth and intricacy. Despite being an uncommon and challenging rag, Bairari's melodious essence evokes a sense of continuous improvement and progress.
Podcasts
.svg)
Explore Mahala 5 Gatha
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
Explore Patti (Mahala 3)
The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.
Explore Thiti (Mahala 5) [Part 1]
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Explore Patti (Mahala 1)
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Explore Maru Kaphi
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
Explore Bani Bhagat Sain Ji
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Hasn’t Held It Back From the Mind
Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
