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Articles
Reflections, opinions and creative expression
Read in-depth interpretations, opinion pieces and creative writing delving into Sikh thought and world matters. Our articles feature writings from the SikhRI team and guest contributors.
Read in-depth interpretations, opinion pieces and creative writing delving into Sikh thought and world matters. Our articles feature writings from the SikhRI team and guest contributors.
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Sabad is Infinite; we are finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad.
Sabad is Infinite; we are finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad.
In his twelfth ghazal, Bhai Nand Lal ‘Goya’ emphasizes the journey toward the Divine, expressed through the recurring phrase “tavān raft” (“one may proceed”). This phrase invites possibility rather than prescription.
In his twelfth ghazal, Bhai Nand Lal ‘Goya’ emphasizes the journey toward the Divine, expressed through the recurring phrase “tavān raft” (“one may proceed”). This phrase invites possibility rather than prescription.
A reflection on the play of past, present, and future, the play of creation, and the importance of Remembrance.
A reflection on the play of past, present, and future, the play of creation, and the importance of Remembrance.
Explore the spiritual journey of Inni Kaur as she reflects on the profound significance of Vaisakhi, drawing parallels between the historical events of 1699 and her path of self-discovery.
Explore the spiritual journey of Inni Kaur as she reflects on the profound significance of Vaisakhi, drawing parallels between the historical events of 1699 and her path of self-discovery.
In his eighth ghazal, Goya refers to the Divine as haq (Truth-Divine), exploring its omnipresence and profound forgiveness. Shifting from direct address to descriptive reverence, Goya reflects on the futility of piety and hypocrisy in the face of...
In his eighth ghazal, Goya refers to the Divine as haq (Truth-Divine), exploring its omnipresence and profound forgiveness. Shifting from direct address to descriptive reverence, Goya reflects on the futility of piety and hypocrisy in the face of...
For the Sikhs globally, 1 Cet 553 is the Nanakshahi new year’s day. Cet or Chet is the month. 553 is the Nanakshahi year. Do you know about Nanakshahi?
For the Sikhs globally, 1 Cet 553 is the Nanakshahi new year’s day. Cet or Chet is the month. 553 is the Nanakshahi year. Do you know about Nanakshahi?
Embedded in my consciousness are scars that I have borne through the centuries. Deep as they were, deep as they are, Light penetrated, and the healing began.
Embedded in my consciousness are scars that I have borne through the centuries. Deep as they were, deep as they are, Light penetrated, and the healing began.
In his second ghazal, Bhai Nand Lal ‘Goya’ intimately explores his relationship with the Guru as his Beloved. He describes the Beloved’s angelic perfection, where even a single glance sustains him, and celestial and temporal realms pale in comparison...
In his second ghazal, Bhai Nand Lal ‘Goya’ intimately explores his relationship with the Guru as his Beloved. He describes the Beloved’s angelic perfection, where even a single glance sustains him, and celestial and temporal realms pale in comparison...
This essay locates and contextualizes the hawk in foundational Sikh texts, history, and lifestyle. It also connects how Baj in Khalsa tradition affects the Sikh psyche when the people see it.
This essay locates and contextualizes the hawk in foundational Sikh texts, history, and lifestyle. It also connects how Baj in Khalsa tradition affects the Sikh psyche when the people see it.
