Damanpreet Singh is a writer and graduate student who studies race, religion, empire, and the history of capitalism in the nineteenth century.
He holds a master’s degree in religious studies and is currently pursuing a Ph.D. at Yale University.
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Introducing Paigham-i-Goya: Expression of Love, new translations of a selection of ghazals from Bhai Nand Lal “Goya.” Today’s podcast begins with a recitation of Bhai Nand Lal’s ghazal in Persian, followed by a new English transcreation, the result of a u
Introducing Paigham-i-Goya: Expression of Love, new translations of a selection of ghazals from Bhai Nand Lal “Goya.” Today’s podcast begins with a recitation of Bhai Nand Lal’s ghazal in Persian, followed by a new English transcreation, the result of a u
Introducing Paigham-i-Goya: Expression of Love, new translations of a selection of ghazals from Bhai Nand Lal “Goya.”
Introducing Paigham-i-Goya: Expression of Love, new translations of a selection of ghazals from Bhai Nand Lal “Goya.” Today’s podcast begins with a recitation of Bhai Nand Lal’s ghazal in Persian, followed by a new English transcreation, the result of a unique collaboration between Dr. Fatima Fayyaz and Dr. Nadhra Khan of Lahore University of Management Sciences, Damanpreet Singh, writer, and graduate student, and Inni Kaur of SikhRI, followed by a discussion between Daman and Inni about the beauty of the ghazal and the transcreation process. Follow Damanpreet and Inni as they discuss their learnings and challenges while engaging with the words of Bhai Nand Lal. The unique and symbolic meanings that these ghazals reveal are a treat for those who yearn to get a glimpse into the court of Guru Gobind Singh Sahib. Author: Bhai Nand Lal “Goya” Collection: Divan-i-Goya Transcreators: Fatima Fayyaz, Inni Kaur, Nadhra Khan, and Damanpreet Singh Persian Narrator: Gholamhossein Sajadi English Narrator: Ryan Gillis Persian ز فیض مقدمت ای آبروی فصل بهار جهان چو باغِ ارم پُر شد است از گلزار تبسّمِ تو جهان را حیات می بخشد قرارِ دیدهٔ صاحب دلانِ پر اسرار بغیرِ عشق خدا هیچ عشق قایم نیست بغیرِ عاشقِ مولا همه فنا پندار به هر طرف که نگاه می کنی روان بخشی نگاه توست که در هر طرف بود جاندار خدا که در همه حال است حاضر و ناظر کجا ست دیده که بیند به هر طرف دیدار بغیرِ عارفِ مولا کسی نجات نیافت اجل زمین و زمان را گرفته در منقار همیشه زنده بود بندهٔ خدا گویا که غیر بندگیش نیست در جهان آثار English Translation O pride of spring, with the grace of Your arrival, The world, just like the garden of paradise, abounds with flowers. Your smile graces the world with life, It is the ointment that soothes the eyes of men whose hearts can discern divine secrets. No love can last unless graced by Divine love, All shall be annihilated other than the one in love with the Divine. Everywhere You look, You grace life, It is Your gaze that bestows life in every direction. The Divine is always present and watchful, Where is the eye that can witness these manifestations in every direction? It is only the Divine’s mystic who attains liberation, As time and space are held in the beak of fate. Goyā: The Divine’s slave becomes immortal, As other than this bondage, nothing in the world has permanence.
Introducing Paigham-i-Goya: Expression of Love, new translations of a selection of ghazals from Bhai Nand Lal “Goya.” Today’s podcast begins with a recitation of Bhai Nand Lal’s ghazal in Persian, followed by a new English transcreation, the result of a unique collaboration between Dr. Fatima Fayyaz and Dr. Nadhra Khan of Lahore University of Management Sciences, Damanpreet Singh, writer, and graduate student, and Inni Kaur of SikhRI, followed by a discussion between Daman and Inni about the beauty of the ghazal and the transcreation process. Follow Damanpreet and Inni as they discuss their learnings and challenges while engaging with the words of Bhai Nand Lal. The unique and symbolic meanings that these ghazals reveal are a treat for those who yearn to get a glimpse into the court of Guru Gobind Singh Sahib. Author: Bhai Nand Lal “Goya” Collection: Divan-i-Goya Transcreators: Fatima Fayyaz, Inni Kaur, Nadhra Khan, and Damanpreet Singh Persian Narrator: Gholamhossein Sajadi English Narrator: Ryan Gillis Persian کسی به حالِ غریبان بی نوا نرسد از آنکه هیچ بدان کوی دلربا نرسد هزار خلد برین را به نیم جو نخرند! رسیده ایم به جایی که بادشاه نرسد طبیبِ عشق چنین گفته است می گویند به حالِ درد غریبان به جز خدا نرسد برای روشنی چشمِ دل اگر خواهی! به خاکِ درگه او هیچ توتیا نرسد به یادِ دوست توان عمر را بسر بردن که در برابرِ آن هیچ کیمیا نرسد تمامِ دولتِ گیتی فدای خاکِ درش که تا فداش نگردد کسی به جا نرسد فدای خاکِ درش می شود از آن گویا که هر که خاک نگردد به مدعا نرسد English Translation No one looks after the state of the helpless wanderers, As no one ever reaches the Beloved’s lane. A thousand heavens are not worth half a grain of barley, As where we are is far beyond the reach of monarchs. The one who is called the physician of love is known to have said, That no one but God can heal the pain of these wanderers. If you want to light up the heart’s eye, The finest kohl is no match to the dust of His threshold. It’s worth spending one’s life remembering the Beloved, As there is no alchemy equivalent to that. All the world’s wealth can be given up for the dust of His door, As unless one surrenders to Him, no one reaches anywhere. Goya surrenders to the dust of His door, As the destination cannot be reached unless one turns into dust.
Follow Damanpreet and Inni as they discuss their learnings and challenges while engaging with the words of Bhai Nand Lal.
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In Bhai Nand Lal’s fifty-fifth ghazal, the recurring word dīdam (to perceive) reflects various modes of perception, from seeing to realizing. The ghazal opens with the Beloved revealed not externally but within the pupil of the poet’s own eyes...
In this fifty-second ghazal, Bhai Nand Lal employs a striking repetitive structure, often repeating words or phrases three times to emphasize the Divine’s perfection and beauty.
In his 44th ghazal, Bhai Nand Lal ‘Goya’ explores the connection with the Divine within and beyond earthly life. Opening with joy at the Divine’s revelation, he offers his eyes and heart as his only worthy possessions.
In this thirty-sixth ghazal, Bhai Nand Lal reflects on the transformative nature of Divine love, symbolized by the “ār” sound. The Beloved’s arrival is likened to spring, bringing life and abundance. The Beloved’s smile and gaze sustain the...
Bhai Nand Lal’s thirtieth ghazal explores the futility of reaching the Beloved’s lane, emphasizing the superiority of spiritual connection over material wealth. Using the repeated verb nārisad ("to not arrive"), the ghazal highlights the unattainable...
Bhai Nand Lal’s twenty-fifth ghazal is an intimate love letter composed of whispered questions addressed to the Beloved. Each couplet begins with the recurring question “what would happen,” inviting speculation and yearning for reunion.
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