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Introducing Paigham-i-Goya: Expression of Love, new translations of a selection of ghazals from Bhai Nand Lal “Goya.” Today’s podcast begins with a recitation of Bhai Nand Lal’s ghazal in Persian, followed by a new English transcreation, the result of a unique collaboration between Dr. Fatima Fayyaz and Dr. Nadhra Khan of Lahore University of Management Sciences, Damanpreet Singh, writer, and graduate student, and Inni Kaur of SikhRI, followed by a discussion between Daman and Inni about the beauty of the ghazal and the transcreation process.
Follow Damanpreet and Inni as they discuss their learnings and challenges while engaging with the words of Bhai Nand Lal. The unique and symbolic meanings that these ghazals reveal are a treat for those who yearn to get a glimpse into the court of Guru Gobind Singh Sahib.
Author: Bhai Nand Lal “Goya”
Collection: Divan-i-Goya
Transcreators: Fatima Fayyaz, Inni Kaur, Nadhra Khan, and Damanpreet Singh
Persian Narrator: Gholamhossein Sajadi
English Narrator: Ryan Gillis
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Damanpreet Singh is a writer and graduate student who studies race, religion, empire, and the history of capitalism in the nineteenth century.
View profile ⟶Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI). She has served SikhRI in several capacities since 2010, including Chair of the Board, and most recently as CEO.
View profile ⟶
In this fifty-second ghazal, Bhai Nand Lal employs a striking repetitive structure, often repeating words or phrases three times to emphasize the Divine’s perfection and beauty.
The Sikh Research Institute recognizes its ethical responsibility to promptly correct any factual small or large errors. Please get in touch with us via email to request a correction if you have identified a mistake.
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Bhagat Surdas Ji, one of the fifteen Bhagat contributors to the Guru Granth Sahib, has a composition recorded on page 1253. This line encourages the mind to abandon the company of those who have turned away from IkOankar (the Divine).
‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
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