Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI). She has served SikhRI in several capacities since 2010, including Chair of the Board, and most recently as CEO.
She is a frequent speaker at community and interfaith events, the U.S. Office of the Pentagon Chaplin, and several universities. She is a passionate author, poet, and artist. Her published works include Journey with the Gurus, a children’s book series inspired by the life and teachings of Guru Nanak Sahib, Sakhi-Time with Nani ji, Thank-You Vahiguru, Daddy’s Turban, and The Story of Us.
She is passionately involved in transcreating Sabad (Infinite-Wisdom) and the writings of Bhai Vir Singh.
To Inni, every single day is a celebration. Her writing is inspired by that same outlook on life, as well as Sikh thought. While she writes anytime the spirit moves her, she thoroughly enjoys watching the clouds pass her, taking long mindful walks to appreciate nature’s innate beauty, and painting abstract artwork.
Inni Kaur resides with her family in the United States.
Inni Kaur explores the paradigm shift of Guru Nanak’s vision and revolution through secondary sources and historical examples.
Enhance your relationship with IkOankar through Guru Nanak Sahib: The Revolutionary, a virtual Sidak event featuring presentations that focus on Guru Nanak Sahib’s vision and revolutionary impact.
Join us for a raw and awe-inspiring conversation between Dr. Jaswant Singh and Inni Kaur as they share their wonderings about love and devotion in this live webinar.
Mahakavi Santok Singh gives us a glimpse into Love. A woman’s deep-seated love for Guru Gobind Singh Sahib.
A conversation with Dr. Shimi Kaur Kang to learn how to treat screens like food: consume healthy tech, limit junk tech, and eliminate toxins.
Inderpreet Singh and Inni Kaur explore Rahit-lifestyle through the Bani of Sidh Gosti. What are eternal questions? Why are we still struggling to understand them?
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
The Sabad urges the mind to utter the divine name of the Charmer-Divine for liberation. It speaks of the complete elimination of countless transgressions, facilitated by the grace of the All-Pervasive, enabling the crossing of the metaphorical world-ocean
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
Genocide doesn’t happen in isolation. It is a combination of deep-seated hatred and racism. There are many who will deny the 1984 Genocide. But I remember…
The Guinness Book of World Records states: “On 15 August 1947, the partition of British India triggered the largest ever mass migration, uprooting over 18 million people.” The land of the five rivers, Panjab, became divided into two parts.
A new translation and brief essay on the fifty-second ghazal from Bhai Nand Lal’s Divan-i-Goya.
A new translation and brief essay on the forty-fourth ghazal from Bhai Nand Lal’s Divan-i-Goya.
A new translation and brief essay on the thirty-sixth ghazal from Bhai Nand Lal’s Divan-i-Goya.
A new translation and brief essay on the thirtieth ghazal from Bhai Nand Lal’s Divan-i-Goya.