Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI). She has served SikhRI in several capacities since 2010, including Chair of the Board, and most recently as CEO.
She is a frequent speaker at community and interfaith events, the U.S. Office of the Pentagon Chaplin, and several universities. She is a passionate author, poet, and artist. Her published works include Journey with the Gurus, a children’s book series inspired by the life and teachings of Guru Nanak Sahib, Sakhi-Time with Nani ji, Thank-You Vahiguru, Daddy’s Turban, and The Story of Us.
She is passionately involved in transcreating Sabad (Infinite-Wisdom) and the writings of Bhai Vir Singh.
To Inni, every single day is a celebration. Her writing is inspired by that same outlook on life, as well as Sikh thought. While she writes anytime the spirit moves her, she thoroughly enjoys watching the clouds pass her, taking long mindful walks to appreciate nature’s innate beauty, and painting abstract artwork.
Inni Kaur resides with her family in the United States.
Guru Gobind Singh Sahib was the 10th and last Guru of the Sikhs in a line of Prophets stretching from the 15th to the early 18th century that resulted in the formation of Sikhi: New Faith and its Followers.
In the melodic strains of Rag Gond, Guru Ramdas Sahib's Sabad resonates with a triumphant yet humble spirit, reflecting a balanced perspective on spiritual attainment.
My mind burns deeply for All-Pervasive’s experience, as the thirsty without water. 1. My mind is pierced by the arrow of All-Pervasive’s love. My All-Pervasive Divine knows my pain, my mind’s internal pain. Reflect. Whoever tells my All-Pervasive Beloved’s narrative is my Bhai1, my brother. 2. Girl-friends, unite, unite, imbibe the resolute wisdom of the Eternal Guru, Recount the virtues of my Divine. 3. O! All-Pervasive, fulfill servant Nanak’s wish, Seeing All-Pervasive, body quietens. 4. Honorific title in Sikh tradition for the eminent narrators of the Guru. Guru Ramdas Sahib in Rag Gond | Guru Granth Sahib 861 ਗੋਂਡ ਮਹਲਾ ੪ ॥ ਹਰਿ ਦਰਸਨ ਕਉ ਮੇਰਾ ਮਨੁ ਬਹੁ ਤਪਤੈ ਜਿਉ ਤ੍ਰਿਖਾਵੰਤੁ ਬਿਨੁ ਨੀਰ ॥੧॥ ਮੇਰੈ ਮਨਿ ਪ੍ਰੇਮੁ ਲਗੋ ਹਰਿ ਤੀਰ ॥ ਹਮਰੀ ਬੇਦਨ ਹਰਿ ਪ੍ਰਭੁ ਜਾਨੈ ਮੇਰੇ ਮਨ ਅੰਤਰ ਕੀ ਪੀਰ ॥੧॥ ਰਹਾਉ ॥ ਮੇਰੇ ਹਰਿ ਪ੍ਰੀਤਮ ਕੀ ਕੋਈ ਬਾਤ ਸੁਨਾਵੈ ਸੋ ਭਾਈ ਸੋ ਮੇਰਾ ਬੀਰ ॥੨॥ ਮਿਲੁ ਮਿਲੁ ਸਖੀ ਗੁਣ ਕਹੁ ਮੇਰੇ ਪ੍ਰਭ ਕੇ ਲੇ ਸਤਿਗੁਰ ਕੀ ਮਤਿ ਧੀਰ ॥੩॥ ਜਨ ਨਾਨਕ ਕੀ ਹਰਿ ਆਸ ਪੁਜਾਵਹੁ ਹਰਿ ਦਰਸਨਿ ਸਾਂਤਿ ਸਰੀਰ ॥੪॥੬॥
To the world, he is Bhai Vir Singh, the “Sixth River of Panjab.” To me, he is simply Pitaji. There are no family or blood ties, but there is a bond that transcends time and space.
This Sakhi is an excerpt from "Journey with the Gurus" volume 3 by Inni Kaur.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
The Sabad urges the mind to utter the divine name of the Charmer-Divine for liberation. It speaks of the complete elimination of countless transgressions, facilitated by the grace of the All-Pervasive, enabling the crossing of the metaphorical world-ocean
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
Genocide doesn’t happen in isolation. It is a combination of deep-seated hatred and racism. There are many who will deny the 1984 Genocide. But I remember…
The Guinness Book of World Records states: “On 15 August 1947, the partition of British India triggered the largest ever mass migration, uprooting over 18 million people.” The land of the five rivers, Panjab, became divided into two parts.
A new translation and brief essay on the fifty-second ghazal from Bhai Nand Lal’s Divan-i-Goya.
A new translation and brief essay on the forty-fourth ghazal from Bhai Nand Lal’s Divan-i-Goya.
A new translation and brief essay on the thirty-sixth ghazal from Bhai Nand Lal’s Divan-i-Goya.
A new translation and brief essay on the thirtieth ghazal from Bhai Nand Lal’s Divan-i-Goya.