Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI), where she leads content creation, branding, and external communications.
She has been deeply involved with SikhRI since 2009, having served as an Advisory Council Member, Board Member, Chair of the Board (2014–2016), Chief Executive Officer (2016–2019), and currently as Creative Director (2019–present).
A frequent speaker at community and interfaith gatherings—including engagements with the U.S. Office of the Pentagon Chaplain and several universities—Inni brings Sikh teachings into accessible dialogue with diverse audiences.
She is a passionate author, poet, and artist. Her published works include Journey with the Gurus, a children’s book series inspired by the life and teachings of Guru Nanak Sahib, Sakhi-Time with Nani ji, Thank You, Vahiguru, Daddy’s Turban, The Story of Us, The Fragrance of Bhai Vir Singh, Resilient Roots: A Sikh Family’s Journey, and The Brave Nightingale and The Golden Temple.
Inni is deeply immersed in the transcreation of Sabad (Infinite Wisdom) and the writings of Bhai Vir Singh, infusing her work with reverence, clarity, and poetic insight. Inni’s writing is grounded in Sikh thought and inspired by the beauty of everyday moments—cloud-watching, mindful walks, and quiet reflection. She resides in the United States.
Vaisakhi invites us to reflect on what was given in 1699 and what it means today. When Guru Gobind Singh Sahib called, only five stepped forward, embodying courage and surrender.
Inni Kaur, Creative Director at Sikh Research Institute (SikhRI), shares her thoughts on what she has been contemplating on this Vaisakhi.
In this video Inni Kaur shares her profoundly personal and spiritual journey to Sri Harimandar Sahib.
Inni Kaur, Creative Director at Sikh Research Institute (SikhRI), shares her thoughts on what she has been contemplating on this Vaisakhi.
This composition explores the idea of bliss and how to achieve it. In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude all...
This composition explores the idea of bliss and how to achieve it. In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude...
Do you know about Bhumi? The rich landlord from Dhaka, India? Well, if you don’t know of him, hit the play button. This is a sakhi you’re not going to want to miss. There’s a reason why Bhumi was so rich.
Follow Damanpreet and Inni as they discuss their learnings and challenges while engaging with the words of Bhai Nand Lal.
The next sakhi takes us to Mecca in Saudi Arabia. Around the year 1525, Guru ji and Bhai Mardana arrived in Mecca. Guru ji’s interaction with the qazi (a Muslim scholar) was very shaky at first because the qazi thought Guru ji was disrespectful.
Vahiguru exists in everyone – even in those who don’t embody what Guru ji stood for. Surprisingly, mean people also have Vahiguru in them; they just have forgotten that. All they need is a special reminder from a place of love that Vahiguru is in them.
Follow Damanpreet and Inni as they discuss their learnings and challenges while engaging with the words of Bhai Nand Lal.
Journey with Inni Kaur as she shares her learnings from the three Sabads of Guru Teghbahadar Sahib in Rag Devgandhari through Bhai Vir Singh’s expositions. Transcendence lies not in the wishful disappearance of opposition from without but in the resolution within to disregard and rise above it. How do we rise from the fragmented universe of our fears? How do we rejuvenate from within to attain the fullest human stature?
Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
Composed by Guru Ramdas Sahib, this piece is set in Rag Devgandhari, an ancient melodic mode traditionally sung during the second quarter of the day. This Sabad encapsulates the yearning to connect with the radiant Beloved.
This Sabad by Guru Ramdas Sahib within Rag Sorath encompasses a tapestry of emotions: seriousness, love, separation, longing, and detachment. Traditionally performed, it encapsulates a spectrum of human experiences.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
In the melodic embrace of Rag Sorath, Bhagat Ravidas ji's Sabad paints a canvas of profound devotion and love, using the simplicity and sweetness of the rag to convey the depth of spiritual connection.