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Videos
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Explore Antam Sanskar (Funeral Ceremony)
Funeral ceremonies are significant in human culture and differ significantly across regions and religions. In the Sikh culture, the funeral ceremony emphasizes the belief in life's impermanence, the significance of commemorating the departed...
Explore Alahania (Mahala 3)
Just like the Alahania revealed by Guru Nanak Sahib, this composition revealed by Guru Amards Sahib also illustrates the impermanence of the material world and inspires the mind towards a perpetual connection with IkOankar (the Divine).
Explore Alahania (Mahala 1)
Alahani is a mournful or sorrowful Panjabi folk song. When a person dies, friends and relatives usually visit the deceased’s family to share their sorrow and memories of their loved one’s life and deeds.
Sabad Hajare Patisahi 10 - Sabad 01: Renunciation Redefined
Harinder Singh and Jasleen Kaur explore the context of Indic paradigms, rituals, systems, and popular understandings that the Guru addresses in his reframing of renunciation and non-attachment.
Explore Sadd
Revealed to Baba Sundar, the great-grandson of Guru Amardas Sahib, Sadd holds great significance in the Sikh funeral ceremony and is recited during final rites.
Explore Anand Sahib (Stanzas 31-40)
This composition explores the idea of bliss and how to achieve it. In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude all...
Bhagat Namdev in Rag Asa | Guru Granth Sahib 485
This composition by Bhagat Namdev is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage. In Bhagat Namdev’s earlier worship mode, he was a follower of the “Bithal” deity.
Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 683 | Artist: Gurmit Singh
The imagery of seeking the Divine's gracious glance, saving embrace, and a pull from the well of worldly entanglements invites reflection.
Guru Arjan Sahib in Rag Todi | Guru Granth Sahib 713 | Artist: Bhai Avtar Singh
O! Eternal-Guru, I have come to Your sanctuary to receive the comfort and glory of All-Pervasive Nam, and to remove my anxieties. 1. Reflect. Cannot think of another abode, defeated, I fall at Your door. Ignore the record, liberate without the record, fre
Guru Teghbahadur Sahib in Rag Sarang | GGS 1231 | Artist: Unknown
No one is your support except the All-Pervasive. Who are mother, father, children and wife? Who is whose sibling? 1. Reflect.
Guru Arjan Sahib in Rag Gujari | Guru Granth Sahib 498 | Artist: Bhai Avtar Singh
The Sabad’s progress unveils the diversity of human affection. Worldly attachments and pride entrance some, while the devotees of the Divine embrace an affection for the Freedom-state inherent in the All-Pervasive.
Guru Amardas Sahib in Rag Sorath | Guru Granth Sahib 644 | Artist: Bhai Sarabjeet Singh
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Articles
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Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Wisdom Enthroned
Embark on a transformative journey through Sikhi’s essence as we explore the Guru Granth Sahib. Beyond a conventional text, it intertwines nature, introspection, and wisdom.
Sabad Hajare Patisahi 10 - Sabad 10: 1’s Identification
In the tenth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that identifying with the attributes and existence of the 1 eliminates fear.
Sabad Hajare Patisahi 10 - Sabad 09: Divine Creator
In the ninth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that the One Divine will remain fully capable of destroying and creating.
Sabad Hajare Patisahi 10 - Sabad 08: That One
In the eighth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib questions how That One can be said to be in one human form.
Sabad Hajare Patisahi 10 - Sabad 07: Creator Death
In the seventh composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib locates the Creator as the Death; there is no god or messenger of death to fear.
Woman: Gateway to Freedom
“The whole Guru Grantha is the voice of a wedded women or a maiden pining in love of the Beautiful. Her nobleness in Guru Grantha is infinite, her freedom is of the highest. Both man and woman as sexes are forgotten in her voice.
Buttons, Jump Ropes, and Chocolate Cake
Every year, when December rolls around, there is much buzz about the holiday season. From Hanukah to Kwanzaa and, of course, Christmas, it is a time of gatherings, decorations and gift exchange.
Tresses & I
Embark on a poignant journey with the author as she reflects on her evolving relationship with her hair, exploring the nuanced layers of Sikh identity, love for Sabad, and the profound impact of choices made during the tumultuous times of 1984.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
How May I Visualize Guru Gobind Singh Sahib?
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
Podcasts
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Understanding Canada-India Disharmony in the Sikh-Panjab Context
Listen as Harinder Singh and Jasleen Kaur discuss the larger context around the latest events in Canada.
Sabad Hajare Patisahi 10 - Sabad 02: Yoga Disrupted
In this third podcast, Harinder Singh and Jasleen Kaur explore what it means to earn union in comparison to transactional relationships with the divine.
Sabad Hajare Patisahi 10 - Sabad 01: Renunciation Redefined
In this second podcast, Harinder Singh and Jasleen Kaur explore the context of Indic paradigms, rituals, systems, and popular understandings that the Guru addresses in his reframing of renunciation and non-attachment.
Sabad Hajare Patisahi 10 - Introduction
Introducing Sabad Hajare Patisahi 10 (Shabad Hazare Patshahi 10), new translations, and commentaries of Guru Gobind Singh Sahib's composition. This podcast is an introduction to the series.
Beadbi: Distortions, Transgressions, Responses
Join Harinder Singh and Jasleen Kaur as they discuss the larger Sikh context around beadbi as a political problem in need of a political solution. What is beadbi ? How has it been dealt with historically? What are its Panthic and legal understandings? How does it relate to the reverence Sikhs collectively show to the Guru Granth Sahib? And how, given recent cases in the news, can we understand individual and collective responses given the current realities on the ground?
Ep88 - 12 Gurus Series: Guru Granth Sahib
In a new podcast series The 12 Gurus: From 1469 to Infinity, SikhRI sheds light on the lives and meaning of Gurus in Sikhi. Were they spiritualists and reformers or Divine and Revolutionaries? What lessons can we draw from them?
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Hasn’t Held It Back From the Mind
Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
