Guru Granth Sahib

Guru Granth Sahib

The Guru Granth Sahib is the eternal Guru and the supreme guiding authority for the Sikhs in every aspect of life. It is accorded utmost respect whenever Sikhs handle it or discuss its text. It is not only the scriptural canon of the Sikhs that offers wisdom, grace, and freedom to all, but it also personifies perfection, and the Divine instituted Sovereignty. The Guru Granth Sahib includes utterances of six Gurus, three Sikhs, fifteen saints of various religious traditions, and eleven bards from the Gurus’ courts. The Guru Granth Sahib is written in Gurmukhi, a script institutionalized by Guru Angad Sahib. It was Guru Arjan Sahib, who compiled the utterances of the previous Gurus, Sikhs and saints, into the Adi Granth, and placed it in Sri Harimandar Sahib, in 1604. Guru Gobind Singh Sahib added the utterances of Guru Teghbahadar Sahib, in the Adi Granth, and raised the scripture to the status of perpetual Guru, ordaining it as the Guru Granth Sahib in 1708. The Guru Granth Sahib should not be viewed as a law book of “dos and don’ts.” It contains a timeless and unique value system for ethical and moral living based on the love of the one Divine.

Videos

Thursday
,
19
December
2024

Explore Var Sat (Kabir Ji)

The poetic form ‘Var Sat’ (a composition based on the seven days of the week) is commonly called ‘Satvar’ or ‘Satvara.’ It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.

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Monday
,
2
December
2024

The Eternal Spirit of Giving

Join Harinder Singh as he delves into The Eternal Spirit of Giving, exploring timeless wisdom from the Guru Granth Sahib. This talk invites reflection on the essence of giving—not just as a responsibility but as a journey towards grace and connection.

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Thursday
,
17
October
2024

Explore Patti (Mahala 1)

Patti is a poetic form based on the Gurmukhi alphabet. Historically, students used a wooden tablet, known as patti in Panjabi, to practice writing the alphabet. The Guru Granth Sahib includes many compositions based on the alphabet.

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Thursday
,
19
September
2024

Explore Bani Bhagat Sain Ji

In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.

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Thursday
,
22
August
2024

Explore Chaubole

Chaubole is typically described as a poetic form governed primarily by meter and lines, usually four, as a song with four segments, or as a verse containing four languages.The theme of the Chaubole composition by Guru Arjan Sahib is love.

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Thursday
,
18
July
2024

Explore Karhale

The term 'karhale' is derived from the Rajasthani and Sindhi word 'karhal,' which means camel. Historically, traders loaded their goods on camels to sell in distant lands, enduring long, arduous journeys.

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Monday
,
16
January
2017

Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

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Monday
,
16
January
2017

Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.

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Monday
,
30
January
2017

Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib. 

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Tuesday
,
7
February
2017

Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157

This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.

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Monday
,
20
February
2017

Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404

This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.

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Saturday
,
25
February
2017

Bhagat Ravidas ji in Gujri Rag | Guru Granth Sahib 525 | Artist: Bhai Harjinder Singh

Metaphors come alive, painting a vivid picture of life's complexities. The imagery of a suckling calf affecting milk, bees disrupting a flower, and fish muddying water draws attention to the innate interplay of purity and impurity.

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Articles

Sunday
,
14
May
2017

O! Eternal-Guru, I Have Come to Your Sanctuary

In the serene setting of Rag Todi, Guru Ramdas Sahib's Sabad echoes with profound reverence, contemplation, and devotion. Todi, celebrated for its solemn and reflective atmosphere, envelops the listener in a tranquil and profound experience.

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Monday
,
8
May
2017

O! Divine! Glance at Me, Graciously Save Me

In the harmonious embrace of Dhanasari, a rag that resonates with happiness, Guru Arjan Sahib crafts a Sabad that delves into the profound aspects of spiritual realization and seeking divine refuge.

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Sunday
,
30
April
2017

Everywhere I Go, Bithal is Present

Delve into the Sabad (Shabad) of Bhagat Namdev in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.

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Sunday
,
30
April
2017

Whatever is Asked From the Ruler, That’s What is Given

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

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Monday
,
17
April
2017

That Husband-Beloved’s Love

Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad. 

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Monday
,
10
April
2017

Without Nam Life is Pointless

In the poignant rag of Jaitsari, Guru Ramdas Sahib's Sabad unfolds as a heartfelt expression of dependence and an intense yearning for the divine presence.

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Tuesday
,
8
March
2022

Beadbi: Locating Irreverence amongst the Sikhs

In recent news and current events, “beadbi” has come to the forefront as a topic of discussion. But do we as Sikhs collectively understand what beadbi is, how it has been dealt with historically,...

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Thursday
,
1
September
2022

Sabad Structure in the Guru Granth Sahib

While reading the Guru Granth Sahib, we come across various Sabad structures and forms. Some small and others long. Some have two stanzas, others three, four, or more. What do these different stanzas tell us about a Sabad or its structure?

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Monday
,
12
September
2022

From Pothi to Guru Granth Sahib

Guru Arjan Sahib gifted the eventual Guru Granth Sahib to humanity. Why did the Guru envision it? How did the Guru compile it? What did the Guru curate?

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Thursday
,
5
January
2023

Sabad Hajare Patisahi 10

Multiple sources of knowledge, visits to historical places, and personal experiences to date fuel the deeper meanings of Sabad Hajare (popularly Shabad Hazare) attributed to Guru Gobind Singh Sahib.

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Tuesday
,
10
January
2023

Sabad Hajare Patisahi 10 - Sabad 01: Renunciation Redefined

In the first composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib redefines everything yogic. Yoga is reframed as the original idea of union or the connection with the 1.

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Tuesday
,
17
January
2023

Sabad Hajare Patisahi 10 - Sabad 02: Yoga Disrupted

In the second composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib emphasizes union with the 1.

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Podcasts

Wednesday
,
11
December
2024

Explore Mahala 5 Gatha

Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.

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Thursday
,
28
November
2024

Explore Patti (Mahala 3)

The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.

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Wednesday
,
20
November
2024

Explore Thiti (Mahala 5) [Part 1]

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

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Thursday
,
24
October
2024

Explore Patti (Mahala 1)

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

LISTEN NOW⟶
Wednesday
,
9
October
2024

Explore Maru Kaphi

In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.

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Thursday
,
26
September
2024

Explore Bani Bhagat Sain Ji

In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.

LISTEN NOW⟶
Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

LISTEN NOW⟶
Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. 

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Monday
,
23
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

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Sunday
,
29
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Monday
,
20
February
2017

Guru Hasn’t Held It Back From the Mind

Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.

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