In the Guru Granth Sahib, there are fifty-seven saloks and fifty-nine Sabads revealed by Guru Teghbahadar Sahib (1621-1675). While the saloks are recorded without any prescribed rag (musical mode), the Sabads are recorded under fifteen different rags. Under Rag Bilaval, the Guru has revealed three Sabads, which are recorded on pages 830-831 of the Guru Granth Sahib. Sabad one, two, and three comprise of two, two, and three stanzas, respectively. The stanza of rahau in each Sabad is separate from these stanzas.
Guru Nanak Sahib expresses his humility, recognizing his ignorance and inability to fully capture the Majesty of the One. The Guru then makes a heartfelt plea for the grace to understand and sing the virtues of the One, aspiring to remain connected...
Guru Nanak Sahib expresses his humility, recognizing his ignorance and inability to fully capture the Majesty of the One. The Guru then makes a heartfelt plea for the grace to understand and sing the virtues of the One, aspiring to remain connected...
A personal reflection on the role of poetry in the author's spiritual journey. She describes how poetry, specifically the guidance of Guru Nanak Sahib, has been a source of beauty, inspiration, and divine connection.
In the joyful rhythm of Rag Bilaval, Guru Nanak Sahib's Sabad unfolds with a profound sense of humility, devotion, and recognition of the greatness of the One.
In the joyful rhythm of Rag Bilaval, Guru Nanak Sahib's Sabad unfolds with a profound sense of humility, devotion, and recognition of the greatness of the One.
A personal reflection on the role of poetry in the author's spiritual journey. She describes how poetry, specifically the guidance of Guru Nanak Sahib, has been a source of beauty, inspiration, and divine connection.
The Sabad opens with a poignant tale of selflessness, where one assumes the role of a disguiser to protect the honor of the king's daughter. Despite harboring lustful and selfish desires, the individual's act preserves honor, highlighting the...
The Sabad begins by addressing the One as the Emperor, acknowledging that any attempt to describe the Greatness of the One falls short.
The Sabad begins by addressing the One as the Emperor, acknowledging that any attempt to describe the Greatness of the One falls short.
The Sabad opens with a poignant tale of selflessness, where one assumes the role of a disguiser to protect the honor of the king's daughter. Despite harboring lustful and selfish desires, the individual's act preserves honor, highlighting the...