The Guru Granth Sahib Project

The Guru Granth Sahib Project

In an era filled with desecration, distortion, and disconnection, this project was initiated to provide a greater opportunity for everyone to develop a personal relationship with the Guru Granth Sahib. SikhRI recruited an international team of specialists and subject matter experts to begin a process of "transcreation," composition by composition, beginning with Asa Ki Var. Transcreation is the process of developing meaningful interpretation, while providing content in both modern Panjabi and English. SikhRI's transcreation process is meant to generate a rich context to illuminate the language, aesthetics, musicology, history, culture, and philosophy contained within the Guru Granth Sahib.

Videos

Tuesday
,
16
August
2022

Explore Ramkali Ki Var

The Guru Granth Sahib Project is pleased to launch the annotation of Ramkali Ki Var by Rai Balvand and Sata Dum.

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Thursday
,
21
July
2022

Explore Salok Sahaskriti

The Guru Granth Sahib Project is pleased to launch the annotation of four saloks (couplets) of Salok Sahaskriti by Guru Nanak Sahib.

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Thursday
,
16
June
2022

Explore Mahala 5 Gatha

The Guru Granth Sahib Project is pleased to launch the annotation of Twenty-four saloks (couplets) by Guru Arjan Sahib.

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Thursday
,
21
April
2022

Explore Rag Sorathi

The Guru Granth Sahib Project is pleased to launch the annotation of twelve Sabads (Infinite-Wisdom) by Guru Teghbahadar Sahib in Rag Sorath. Sorath is a rag (musical mode) of serious nature based on the mood of detachment.

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Thursday
,
17
March
2022

Explore Basant Mahala 5 Ghar 1 Dutuke & Basant Ki Var Mahal 5

The Guru Granth Sahib Project is pleased to launch the annotation of one Sabad (Infinite-Wisdom) and three pauris (stanzas) of a Var (ballad) by Guru Arjan Sahib in Rag Basant.

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Wednesday
,
16
February
2022

Explore Rag Gauri

The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib in Rag Gauri. Gauri is a Rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.

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Wednesday
,
1
September
2021

Explore Rag Asa

Under Rag Asa, Guru Teghbahadar Sahib has revealed one Sabad, which is recorded on page 411 of the Guru Granth Sahib. This Sabad comprises of two stanzas. The stanza of rahau is separate from these stanzas.

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Thursday
,
16
September
2021

Guru Teghbahadar Sahib in Rag Jaitsari - The Guru Granth Sahib Project

​​The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads, Infinite-Wisdom, of Guru Teghbahadar Sahib in Rag (musical mode) Jaitsari. This ancient rag evokes a mood of happiness and bliss.

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Thursday
,
21
October
2021

Explore Rag Bilaval & Rag Tilang

The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Tilang, and three are in Rag Bilaval.

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Wednesday
,
17
November
2021

Explore Rag Ramkali & Rag Maru

The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Ramkali, and three are in Rag Maru.

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Thursday
,
16
December
2021

Explore Rag Dhanasari & Rag Sarang

The Guru Granth Sahib Project is pleased to launch the annotation of eight Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Dhanasari (a musical mode), and four are in Rag Sarang. 

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Thursday
,
20
January
2022

Guru Teghbahadar Sahib in Rag Jaijavanti & Rag Basant

The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Jaijavanti (a musical mode), and five are in Rag Basant. 

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Articles

Tuesday
,
10
October
2023

Stanza Structure in a Sabad

While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.

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Monday
,
30
October
2017

"Be-gam-pura" – City’s name is "Sorrow-less-ville"

This Sabad, composed by Bhagat Ravidas ji in the Gauri rag, reflects a vision of a sorrowless realm, a state of being beyond pain and anxiety.

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Monday
,
30
October
2017

"Be-gam-pura" – City’s name is "Sorrow-less-ville"

This Sabad, composed by Bhagat Ravidas ji in the Gauri rag, reflects a vision of a sorrowless realm, a state of being beyond pain and anxiety.

READ More ⟶
Tuesday
,
10
October
2023

Stanza Structure in a Sabad

While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.

READ More ⟶

Podcasts

Thursday
,
4
September
2025

Explore Salok Sheikh Farid Ji (Saloks 1-15)

The first fifteen saloks by Sheikh Farid Ji convey that the span of every being’s life is predetermined and finite. The being has come into this world to engage in devotion of IkOankar (the Divine) and to live a life of humility and non-attachment.

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Wednesday
,
13
August
2025

Explore Bani Bhagat Sadhna

Bhagat Sadhna is one of the fifteen Bhagat contributors to the Guru Granth Sahib and one of the saint-poets of the Medieval period in South Asia. He was a butcher by profession whose life and behavior changed when he became a devotee after realizing...

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Thursday
,
24
July
2025

Explore Bani Sheikh Farid Ji

Sheikh Farid Ji is one of the fifteen Bhagat contributors to the Guru Granth Sahib. The Guru Granth Sahib contains four Sabads and one hundred and twelve saloks by him.

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Wednesday
,
9
July
2025

Explore Rag Asa

Rag Asa is a musical mode that evokes hope, yearning, and the desire to move from darkness toward light. In this composition, our attention is turned inwards, and we are offered not just a moment for reflection but the possibility of transcendence.

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Thursday
,
26
June
2025

Explore Bani Bhagat Beni Ji

The Guru Granth Sahib Project has released annotations on all three Sabads (compositions) by Bhagat Beni Ji, one each set in Rags Srirag, Ramkali, and Prabhati. Each composition reflects unique emotions—serious reflection, compassion, and deep devotion.

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Wednesday
,
11
June
2025

Explore Rag Ramkali & Rag Maru

Rag Ramkali evokes compassion, and Rag Maru is associated with enthusiasm and zeal.

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Thursday
,
26
December
2024

Explore Var Sat (Kabir Ji)

‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.

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Thursday
,
23
January
2025

Explore Bani Bhagat Surdas Ji

Bhagat Surdas Ji, one of the fifteen Bhagat contributors to the Guru Granth Sahib, has a composition recorded on page 1253. This line encourages the mind to abandon the company of those who have turned away from IkOankar (the Divine).

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Wednesday
,
12
February
2025

Explore Janam & Nam Sanskar

In Sikh tradition, the Birth & Naming Ceremony compositions nurture a sense of connection, love, and gratitude with IkOankar (the Divine).

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Thursday
,
27
February
2025

Explore Thiti (Mahala 1)

Thiti refers to a lunar calendar day, counted from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is structured around the fifteen lunar days of the Indic calendar months.

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Wednesday
,
12
March
2025

Explore Bani Bhagat Ramanand

In this Sabad, Bhagat Ramanand Ji highlights the significance of remembering the all-pervading IkOankar (the Divine) rather than worshipping the idol of any deity.

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Thursday
,
20
March
2025

Explore Barah Maha (Mahala 5)

On 14 March, in celebration of the Nanakshahi Sikh New Year, The Guru Granth Sahib Project released the annotation of Barah Maha, a powerful composition revealed by Guru Arjan Sahib in Rag Majh.

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