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Videos
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Explore Anand Sahib (Stanzas 11-20)
Stanzas eleven to twenty of Anand Sahib by Guru Amardas Sahib delve into the pursuit of bliss, a concept of great significance in the Sikh tradition. Discover the joy within and experience the resonance of Rag Ramkali. Embrace the journey towards bliss...
Explore Anand Sahib (Stanzas 1-10)
Delve into the profound wisdom behind the word 'anand,' as the Guru emphasizes that genuine bliss originates from eternal Wisdom, guiding seekers toward a joyful transformation.
Explore Bhagat Sadhna
Bhagat Sadhna is one of the fifteen Bhagat contributors to the Guru Granth Sahib and one of the saint-poets of the Medieval period in South Asia.
Explore Bani Bhagat Pipa
In this Sabad, Bhagat Pipa inspires the seeker to experience the all-pervading IkOankar within oneself rather than searching for IkOankar outside in physical spaces.
Explore Ghoria
According to Bhai Vir Singh and the scholars of Shabdarth, ‘Ghoria’ are songs of blessings, sung when the bridegroom mounts the mare.
Explore Sabads On the Theme of Amrit (Initiation) Ceremony
Initiation Ceremony is an important part of many religious traditions worldwide. It often marks a significant milestone in a seeker’s life and is a way of formally admitting a seeker into the religious community.
The 4 Sabads of So Purakhu - Guru Granth Sahib Project
Guru Granth Sahib Project's Harpreet Kaur reflects working on the So Purakhu Bani.
Guru Teghbahadar Sahib in Rag Jaitsari - The Guru Granth Sahib Project
The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads, Infinite-Wisdom, of Guru Teghbahadar Sahib in Rag (musical mode) Jaitsari. This ancient rag evokes a mood of happiness and bliss.
Guru Teghbahadar Sahib in Rag Tilang & Rag Bilaval - The Guru Granth Sahib Project
The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Tilang, and three are in Rag Bilaval.
Explore Rag Dhanasari & Rag Sarang
The Guru Granth Sahib Project is pleased to launch the annotation of eight Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Dhanasari (a musical mode), and four are in Rag Sarang.
Guru Teghbahadar Sahib in Rag Jaijavanti & Rag Basant
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Jaijavanti (a musical mode), and five are in Rag Basant.
Explore Rag Gauri
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib in Rag Gauri. Gauri is a Rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
Articles
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Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Podcasts
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Explore Mahala 5 Gatha
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
Explore Patti (Mahala 3)
The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.
Explore Thiti (Mahala 5) [Part 1]
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Explore Patti (Mahala 1)
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Explore Maru Kaphi
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
Explore Bani Bhagat Sain Ji
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
Explore Sadd
Revealed to Baba Sundar, the great-grandson of Guru Amardas Sahib, Sadd holds great significance in the Sikh funeral ceremony and is recited during final rites.
Explore Alahania (Mahala 1)
Revealed to Baba Sundar, the great-grandson of Guru Amardas Sahib, Sadd holds great significance in the Sikh funeral ceremony and is recited during final rites.
Explore Alahania (Mahala 3)
Alahani, a sorrowful Punjabi folk song, emphasizes the belief in IkOankar, the all-powerful force behind existence.
Explore Antam Sanskar (Funeral Ceremony)
The Sikh funeral ceremony is crucial to Sikh culture as it emphasizes the belief in the impermanence of life, the significance of commemorating the departed with affection and admiration, and establishing a connection with IkOankar (the Divine).
Explore Vanjara
In Vanjara, the seeker has been affectionately addressed as a merchant friend (vaṇjāriā mitrā). They have been made aware that they have come to this world to trade in the Nam. They are, therefore, instructed to engage in this true trade so that their fac
Explore Sabads On the Theme of Amrit (Initiation) Ceremony
Amrit Ceremony is a fundamental and an essential rite for a seeker to join the Khalsa Panth. Through this the seeker is given ‘amrit’ and the core principles and values of Sikhi are explained to them.
