The Guru Granth Sahib Project

The Guru Granth Sahib Project

In an era filled with desecration, distortion, and disconnection, this project was initiated to provide a greater opportunity for everyone to develop a personal relationship with the Guru Granth Sahib. SikhRI recruited an international team of specialists and subject matter experts to begin a process of "transcreation," composition by composition, beginning with Asa Ki Var. Transcreation is the process of developing meaningful interpretation, while providing content in both modern Panjabi and English. SikhRI's transcreation process is meant to generate a rich context to illuminate the language, aesthetics, musicology, history, culture, and philosophy contained within the Guru Granth Sahib.

Videos

Wednesday
,
1
September
2021

The 4 Sabads of So Purakhu - Guru Granth Sahib Project

Guru Granth Sahib Project's Harpreet Kaur reflects working on the So Purakhu Bani.

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Wednesday
,
1
September
2021

The 4 Sabads of So Purakhu - Guru Granth Sahib Project

Guru Granth Sahib Project's Harpreet Kaur reflects working on the So Purakhu Bani.

watch now ⟶
Thursday
,
16
September
2021

Guru Teghbahadar Sahib in Rag Jaitsari - The Guru Granth Sahib Project

​​The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads, Infinite-Wisdom, of Guru Teghbahadar Sahib in Rag (musical mode) Jaitsari. This ancient rag evokes a mood of happiness and bliss.

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Thursday
,
21
October
2021

Guru Teghbahadar Sahib in Rag Tilang & Rag Bilaval - The Guru Granth Sahib Project

The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Tilang, and three are in Rag Bilaval.

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Thursday
,
16
December
2021

Explore Rag Dhanasari & Rag Sarang

The Guru Granth Sahib Project is pleased to launch the annotation of eight Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Dhanasari (a musical mode), and four are in Rag Sarang. 

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Thursday
,
20
January
2022

Guru Teghbahadar Sahib in Rag Jaijavanti & Rag Basant

The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Jaijavanti (a musical mode), and five are in Rag Basant. 

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Wednesday
,
16
February
2022

Explore Rag Gauri

The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib in Rag Gauri. Gauri is a Rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.

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Articles

Tuesday
,
10
October
2023

Stanza Structure in a Sabad

While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.

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Tuesday
,
10
October
2023

Stanza Structure in a Sabad

While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.

READ More ⟶

Podcasts

Wednesday
,
11
December
2024

Explore Mahala 5 Gatha

Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.

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Thursday
,
28
November
2024

Explore Patti (Mahala 3)

The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.

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Wednesday
,
20
November
2024

Explore Thiti (Mahala 5) [Part 1]

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

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Thursday
,
24
October
2024

Explore Patti (Mahala 1)

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

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Wednesday
,
9
October
2024

Explore Maru Kaphi

In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.

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Thursday
,
26
September
2024

Explore Bani Bhagat Sain Ji

In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.

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Wednesday
,
9
October
2024

Explore Maru Kaphi

In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.

LISTEN NOW⟶
Thursday
,
24
October
2024

Explore Patti (Mahala 1)

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

LISTEN NOW⟶
Wednesday
,
20
November
2024

Explore Thiti (Mahala 5) [Part 1]

Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.

LISTEN NOW⟶
Thursday
,
28
November
2024

Explore Patti (Mahala 3)

The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.

LISTEN NOW⟶
Wednesday
,
11
December
2024

Explore Mahala 5 Gatha

Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.

LISTEN NOW⟶

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Resources

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