Inni Kaur is Creative Director at the Sikh Research Institute (SikhRI). She has served SikhRI in several capacities since 2010, including Chair of the Board, and most recently as CEO.
She is a frequent speaker at community and interfaith events, the U.S. Office of the Pentagon Chaplin, and several universities. She is a passionate author, poet, and artist. Her published works include Journey with the Gurus, a children’s book series inspired by the life and teachings of Guru Nanak Sahib, Sakhi-Time with Nani ji, Thank-You Vahiguru, Daddy’s Turban, and The Story of Us.
She is passionately involved in transcreating Sabad (Infinite-Wisdom) and the writings of Bhai Vir Singh.
To Inni, every single day is a celebration. Her writing is inspired by that same outlook on life, as well as Sikh thought. While she writes anytime the spirit moves her, she thoroughly enjoys watching the clouds pass her, taking long mindful walks to appreciate nature’s innate beauty, and painting abstract artwork.
Inni Kaur resides with her family in the United States.
Watch the entire conversation that took place on International Women’s Day as Inni Kaur, Shauna Singh Baldwin, and Dr. Geetanjali Singh Chanda share the multi-faceted journeys that women have taken.
Scholar Dr. Nikky-Guninder Kaur Singh, author, poet, and artist, Inni Kaur, and educator, Surinder Singh discuss the poetry, Gurbani, and the inspiration of Bhai Vir Singh.
Watch the entire conversation with social entrepreneur and children’s book author, Deanna Singh, writer, scholar, and activist, Simran Jeet Singh, and author, poet, and artist, Inni Kaur.
This drop-in live webinar is made just for children! Join us as we welcome various guest presenters to engage with Sabad, sakhi, story-telling, poetry, puzzles, art, and much more.
Celebrate Mother’s Day while social distancing as we engage in conversation with Inni Kaur, Neelu Kaur, Mandeep Kaur, and Sharanjeet Kaur to discuss how Sikhi has informed their ideas of motherhood, their challenges, and their triumphs.
Don't Ask. Poem by Inni KaurDon’t ask, my daughter what happened in 1984.These wounds are still raw don’t touch them.
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
In the vibrant and energetic ambiance of Basant Rag, Guru Amardas Sahib's Sabad captures the essence of springtime—a season of renewal, joy, and the departure of the cold winter.
The Sabad begins with a profound surrender to the Guru, a heartfelt offering of praise spanning hours. This symbolizes the depth of devotion and the unyielding commitment to the Divine.
The Sabad begins with a poignant reflection on the transient nature of life. Each day that dawns eventually fades away, and the impermanence of our stay in this world is underscored by the inevitability of departure.
The Sabad cautions against the pitfalls of ego and self-centeredness, which hinder entry into the Divine realm and lead to regret and suffering.
Love does not emerge through dedicated practice or method. Remembrance is one form of love. Contemplating remembrance develops love. Contemplating virtues, contemplating Nam (Divine-Identification, ਨਾਮ), is also a form of love.
Bhai Vir Singh’s poem “Rana Surat Singh” unveils the mysteries of mystical love via 14,270 lines of verse in thirty-five cantos. The poem artistically presents a passionate vision of a world beyond the divisions of time and space.
Guru Nanak Sahib and the Jogi narrative is from Bhai Sahib Bhai Vir Singh’s book, "Guru Nanak Chamatkar". The dialogue occurs at the hermitage of an ascetic sect residing in South India's Kanji Forest.
Genocide doesn’t happen in isolation. It is a combination of deep-seated hatred and racism. There are many who will deny the 1984 Genocide. But I remember…
The Guinness Book of World Records states: “On 15 August 1947, the partition of British India triggered the largest ever mass migration, uprooting over 18 million people.” The land of the five rivers, Panjab, became divided into two parts.
In this fifty-second ghazal, Bhai Nand Lal employs a striking repetitive structure, often repeating words or phrases three times to emphasize the Divine’s perfection and beauty.
Sidak is a transformative educational experience designed for young Sikh adults aged 18 to 39. It brings together seekers from all over the world to learn, grow, and lead with purpose.