Sabad of the Week

Sabad of the Week

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

Videos

Monday
,
27
March
2017

Bhagat Ravidas ji in Sorath Rag | Guru Granth Sahib 658 | Artist: Harlove Singh

If You were the beautiful mountain, I would become the peacock. If You were the moon, I would become the chakor*. 1.

watch now ⟶
Monday
,
20
March
2017

Guru Arjan Sahib in Sorath Rag | Guru Granth Sahib 617 | Harmandir Sahib

All vegetation contains fire, all milk contains clarified butter.In high and low the Light abides, in every being’s heart is Master-Illusionist. 1. O! True Congregation, in each and every heart abides ‘The One.’

watch now ⟶
Monday
,
13
March
2017

Guru Ramdas Sahib in Sorath Rag | Guru Granth Sahib 607 | Artist: Bhai Jarnail Singh Ji Surrey Wale

This Sabad by Guru Ramdas Sahib within Rag Sorath encompasses a tapestry of emotions: seriousness, love, separation, longing, and detachment. Traditionally performed, it encapsulates a spectrum of human experiences.

watch now ⟶
Friday
,
3
March
2017

Guru Ramdas Sahib in Rag Devgandhari | Guru Granth Sahib 527 | Artist: Bhai Avtar Singh

watch now ⟶
Saturday
,
25
February
2017

Bhagat Ravidas ji in Gujri Rag | Guru Granth Sahib 525 | Artist: Bhai Harjinder Singh

Metaphors come alive, painting a vivid picture of life's complexities. The imagery of a suckling calf affecting milk, bees disrupting a flower, and fish muddying water draws attention to the innate interplay of purity and impurity.

watch now ⟶
Monday
,
20
February
2017

Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404

This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.

watch now ⟶
Monday
,
10
April
2017

Guru Nanak Sahib in Dhanasari Rag | Guru Granth Sahib 660 | Artist: Bhai Onkar Singh Ji

The Sabad opens with an intimate tremor within, a yearning for someone to call upon. The call to serve the Remover of sufferings reverberates in this vulnerability, underscoring the concept of an eternal giver.

watch now ⟶
Monday
,
10
April
2017

Guru Ramdas Sahib in Rag Jaitsari | Guru Granth Sahib 696 | Artist: Bhai Dharam Singh Zakhmi

The Sabad then contrasts the fate of those without the Guru, describing them as self-centered and foolish, trapped in illusion and leading lives devoid of purpose.

watch now ⟶
Monday
,
17
April
2017

Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 406

This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage. Guru Arjan Sahib asks, “Where does one go to experience the ultimate comfort?”

watch now ⟶
Thursday
,
20
April
2017

Guru Arjan Sahib in Rag Dhanasari | GGS 681 | Artist: Bhai Baljit Singh & Gurmeet Singh

The Sabad begins by vividly illustrating the Divine's omnipotent strength, which extends in all directions and places a protective Hand on the devotee's head.

watch now ⟶
Sunday
,
30
April
2017

Bhagat Namdev in Rag Asa | Guru Granth Sahib 485

This composition by Bhagat Namdev is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage. In Bhagat Namdev’s earlier worship mode, he was a follower of the “Bithal” deity.

watch now ⟶
Monday
,
8
May
2017

Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 683 | Artist: Gurmit Singh

The imagery of seeking the Divine's gracious glance, saving embrace, and a pull from the well of worldly entanglements invites reflection.

watch now ⟶

Articles

Wednesday
,
8
May
2019

How Can Bithal Exist There?

Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One? How can the Divine exist in moments when we feel like we are not ourselves, when we feel like our own Light has been dimmed into almost nothing, when we cannot step ourselves out of our heavy boots just by reminding ourselves of IkOankar — when we cannot think ourselves out of the way that we feel?

READ More ⟶
Wednesday
,
27
February
2019

The Ungraceful Bride

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

READ More ⟶
Thursday
,
21
February
2019

ਥਾਲ ਵਿਚਿ ਤਿੰਨਿ ਵਸਤੂ ਪਈਓ ਸਤੁ ਸੰਤੋਖੁ ਵੀਚਾਰੋ ॥ Reflect on the Truth and the Contentment

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

READ More ⟶
Thursday
,
21
February
2019

ਗਰੀਬਾ ਊਪਰਿ ਜਿ ਖਿੰਜੈ ਦਾੜੀ ਪਾਰਬ੍ਰਹਮ ਸ ਅਗਨਿ ਮਹਿ ਸਾੜੀ Creator Administers Complete Justice

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

READ More ⟶
Thursday
,
21
February
2019

ਅਵਲਿ ਅਲਹ ਨੂਰੁ ਉਪਾਇਆ ਕੁਦਰਤਿ ਕੇ ਸਭ ਬੰਦੇ ॥ The Entire Universe was Created from One Light

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

READ More ⟶
Monday
,
28
January
2019

O' My Mother! Mind Pierced by the Compassionate

In the joyful Rag Bilaval, Guru Nanak Sahib's Sabad radiates profound spirituality, devotion, and the recognition of the One’s omnipresence.

READ More ⟶
Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

READ More ⟶
Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.

READ More ⟶
Sunday
,
22
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

READ More ⟶
Monday
,
30
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

READ More ⟶
Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.

READ More ⟶
Sunday
,
12
February
2017

O! People, if I Meet a Trader of the Charmer-Divine...

Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.

READ More ⟶

Podcasts

Wednesday
,
23
October
2019

Whichever day comes, that day goes (Pt.2)

At this point in my life, this sabad has come to me for reasons other than telling me to keep moving even when everything feels big and hard to navigate.

LISTEN NOW⟶
Thursday
,
26
September
2019

Whichever day comes, that day goes (Pt. 1)

Jasleen Kaur says "This sabad has gently nudged me forward, too many times to count — moved me in some tangible direction, reminded me that the hard days — the days when I cannot get myself to do much of anything — are transient."

LISTEN NOW⟶
Tuesday
,
26
December
2017

Ep65 - “On the platter are placed three things...”

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

LISTEN NOW⟶
Monday
,
9
October
2017

I am Nothing, I have Nothing, Nothing is Mine

The Sabad opens with a poignant tale of selflessness, where one assumes the role of a disguiser to protect the honor of the king's daughter. Despite harboring lustful and selfish desires, the individual's act preserves honor, highlighting the...

LISTEN NOW⟶
Monday
,
2
October
2017

Remembering, My Owner Divine

The Sabad commences with a profound invocation – the cooling of body, mind, and bosom through the continuous remembrance of the Divine Owner. This remembrance transforms the very essence of the being, where beauty, color, comfort, wealth, and caste...

LISTEN NOW⟶
Monday
,
11
September
2017

Nothing Comes, Nothing Goes

The Sabad begins with a profound declaration— the body itself is a manifestation of the divine, a temple, and a wandering pilgrim. This poetic imagery invites reflection on the sacred nature of the physical form, transforming it into a vessel for...

LISTEN NOW⟶
Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

LISTEN NOW⟶
Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. 

LISTEN NOW⟶
Monday
,
23
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Sunday
,
29
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.

LISTEN NOW⟶
Wednesday
,
15
February
2017

O! People, if I Meet a Trader of the Charmer-Divine

This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.

LISTEN NOW⟶

Courses

No courses found. See all Courses.

Resources

No resources found. See all Resources.