In an era filled with desecration, distortion, and disconnection, this project was initiated to provide a greater opportunity for everyone to develop a personal relationship with the Guru Granth Sahib. SikhRI recruited an international team of specialists and subject matter experts to begin a process of "transcreation," composition by composition, beginning with Asa Ki Var. Transcreation is the process of developing meaningful interpretation, while providing content in both modern Panjabi and English. SikhRI's transcreation process is meant to generate a rich context to illuminate the language, aesthetics, musicology, history, culture, and philosophy contained within the Guru Granth Sahib.
Alahani is a mournful or sorrowful Panjabi folk song. When a person dies, friends and relatives usually visit the deceased’s family to share their sorrow and memories of their loved one’s life and deeds.
Revealed to Baba Sundar, the great-grandson of Guru Amardas Sahib, Sadd holds great significance in the Sikh funeral ceremony and is recited during final rites.
This composition explores the idea of bliss and how to achieve it. In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude all...
This composition explores the idea of bliss and how to achieve it. In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude...
Stanzas eleven to twenty of Anand Sahib by Guru Amardas Sahib delve into the pursuit of bliss, a concept of great significance in the Sikh tradition. Discover the joy within and experience the resonance of Rag Ramkali. Embrace the journey towards bliss...
Delve into the profound wisdom behind the word 'anand,' as the Guru emphasizes that genuine bliss originates from eternal Wisdom, guiding seekers toward a joyful transformation.
Under Rag Asa, Guru Teghbahadar Sahib has revealed one Sabad, which is recorded on page 411 of the Guru Granth Sahib. This Sabad comprises of two stanzas. The stanza of rahau is separate from these stanzas.
The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads, Infinite-Wisdom, of Guru Teghbahadar Sahib in Rag (musical mode) Jaitsari. This ancient rag evokes a mood of happiness and bliss.
The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Tilang, and three are in Rag Bilaval.
The Guru Granth Sahib Project is pleased to launch the annotation of six Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Three Sabads are in Rag (musical mode) Ramkali, and three are in Rag Maru.
The Guru Granth Sahib Project is pleased to launch the annotation of eight Sabads, (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Dhanasari (a musical mode), and four are in Rag Sarang.
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib. Four Sabads are in Rag Jaijavanti (a musical mode), and five are in Rag Basant.
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
This Sabad, composed by Bhagat Ravidas ji in the Gauri rag, reflects a vision of a sorrowless realm, a state of being beyond pain and anxiety.
This Sabad, composed by Bhagat Ravidas ji in the Gauri rag, reflects a vision of a sorrowless realm, a state of being beyond pain and anxiety.
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
On 14 March, in celebration of the Nanakshahi Sikh New Year, The Guru Granth Sahib Project released the annotation of Barah Maha, a powerful composition revealed by Guru Arjan Sahib in Rag Majh.
In this Sabad, Bhagat Ramanand Ji highlights the significance of remembering the all-pervading IkOankar (the Divine) rather than worshipping the idol of any deity.
Thiti refers to a lunar calendar day, counted from the first to the fifteenth day based on the moon's phases. As a poetic form, Thiti is structured around the fifteen lunar days of the Indic calendar months.
In Sikh tradition, the Birth & Naming Ceremony compositions nurture a sense of connection, love, and gratitude with IkOankar (the Divine).
Bhagat Surdas Ji, one of the fifteen Bhagat contributors to the Guru Granth Sahib, has a composition recorded on page 1253. This line encourages the mind to abandon the company of those who have turned away from IkOankar (the Divine).
‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
The imagery of "Be-gam-pura" conveys a city free from grief, fear, and oppression—a place of eternal sovereignty and stability. This vision is not of a distant afterlife but a present reality available through inner realization.
Our panel discusses the newly launched Guru Granth Sahib Project. The Project states that, although there are Gurbani translations available in Panjabi text belonging to the early twentieth century by many celebrated Sikh giants, and some in English from recent times, there is a need for a fresh perspective for contemporary audiences. The project aims to make the Guru Granth Sahib accessible to English speakers globally via technology. Our lead Researchers discuss the challenges in creating this work, their transcreation process, and how these translations may differ from others.
Delve into the profound wisdom behind the word 'anand,' as the Guru emphasizes that genuine bliss originates from eternal Wisdom, guiding seekers toward a joyful transformation.
Stanzas eleven to twenty of Anand Sahib by Guru Amardas Sahib delve into the pursuit of bliss, a concept of great significance in the Sikh tradition. Discover the joy within and experience the resonance of Rag Ramkali. Embrace the journey towards bliss...
This composition explores the idea of bliss and how to achieve it. In the Sikh tradition, Anand Sahib is of such great significance that the entire composition or a portion (first five pauris and last pauri) is recited or sung to conclude all...
The Guru Granth Sahib Project is pleased to launch the annotation of nine Sabads (Infinite-Wisdom) of Guru Teghbahadar Sahib in Rag Gauri. Gauri is a Rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.