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Videos
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Explore Var Sat (Kabir Ji)
The poetic form ‘Var Sat’ (a composition based on the seven days of the week) is commonly called ‘Satvar’ or ‘Satvara.’ It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
The Eternal Spirit of Giving
Join Harinder Singh as he delves into The Eternal Spirit of Giving, exploring timeless wisdom from the Guru Granth Sahib. This talk invites reflection on the essence of giving—not just as a responsibility but as a journey towards grace and connection.
Explore Patti (Mahala 1)
Patti is a poetic form based on the Gurmukhi alphabet. Historically, students used a wooden tablet, known as patti in Panjabi, to practice writing the alphabet. The Guru Granth Sahib includes many compositions based on the alphabet.
Explore Bani Bhagat Sain Ji
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
Explore Chaubole
Chaubole is typically described as a poetic form governed primarily by meter and lines, usually four, as a song with four segments, or as a verse containing four languages.The theme of the Chaubole composition by Guru Arjan Sahib is love.
Explore Karhale
The term 'karhale' is derived from the Rajasthani and Sindhi word 'karhal,' which means camel. Historically, traders loaded their goods on camels to sell in distant lands, enduring long, arduous journeys.
Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
Bhagat Ravidas ji in Gujri Rag | Guru Granth Sahib 525 | Artist: Bhai Harjinder Singh
Metaphors come alive, painting a vivid picture of life's complexities. The imagery of a suckling calf affecting milk, bees disrupting a flower, and fish muddying water draws attention to the innate interplay of purity and impurity.
Articles
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Sabad Hajare Patisahi 10 - Sabad 07: Creator Death
In the seventh composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib locates the Creator as the Death; there is no god or messenger of death to fear.
Sabad Hajare Patisahi 10 - Sabad 06: Beloved Friend
In the sixth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib calls on his 1-Beloved-Friend on behalf of the Khalsa in the forests of Machhiwara.
Sabad Hajare Patisahi 10 - Sabad 05: Creator Ruler
In the fifth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib emphatically declares that anyone created or formed by the 1 cannot be confused with the 1 and...
Sabad Hajare Patisahi 10 - Sabad 04: Divine Protector
In the fourth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib proclaims to the world that he seeks the protection from only the 1-Divine; his honor and dignity are with the 1.
Sabad Hajare Patisahi 10 - Sabad 03: Mentor Specified
In the third composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib emphasizes seeking mentorship from the 1.
Sabad Hajare Patisahi 10 - Sabad 02: Yoga Disrupted
In the second composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib emphasizes union with the 1.
Woman: Gateway to Freedom
“The whole Guru Grantha is the voice of a wedded women or a maiden pining in love of the Beautiful. Her nobleness in Guru Grantha is infinite, her freedom is of the highest. Both man and woman as sexes are forgotten in her voice.
Buttons, Jump Ropes, and Chocolate Cake
Every year, when December rolls around, there is much buzz about the holiday season. From Hanukah to Kwanzaa and, of course, Christmas, it is a time of gatherings, decorations and gift exchange.
Tresses & I
Embark on a poignant journey with the author as she reflects on her evolving relationship with her hair, exploring the nuanced layers of Sikh identity, love for Sabad, and the profound impact of choices made during the tumultuous times of 1984.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
How May I Visualize Guru Gobind Singh Sahib?
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
Podcasts
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Explore Var Sat (Kabir Ji)
‘Var Sat,’ commonly called 'Satvar' or 'Satvara,' is a poetic form based on the seven days of the week. It is a unique literary style that connects each day of the week with a specific idea, emotion, teaching, or reflection.
Explore Mahala 5 Gatha
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
Explore Patti (Mahala 3)
The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.
Explore Thiti (Mahala 5) [Part 1]
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Explore Patti (Mahala 1)
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Explore Maru Kaphi
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Hasn’t Held It Back From the Mind
Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
