Sabad of the Week

Sabad of the Week

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

Videos

Tuesday
,
14
February
2017

Bhagat Ravidas in Rag Gauri Bairagan | Guru Granth Sahib 345

This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.

watch now ⟶
Tuesday
,
7
February
2017

Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157

This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.

watch now ⟶
Monday
,
30
January
2017

Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib. 

watch now ⟶
Monday
,
23
January
2017

Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 96

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

watch now ⟶
Monday
,
16
January
2017

Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.

watch now ⟶
Monday
,
16
January
2017

Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

watch now ⟶
Monday
,
16
January
2017

Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

watch now ⟶
Monday
,
16
January
2017

Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.

watch now ⟶
Monday
,
23
January
2017

Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 96

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

watch now ⟶
Monday
,
30
January
2017

Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib. 

watch now ⟶
Tuesday
,
7
February
2017

Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157

This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.

watch now ⟶
Tuesday
,
14
February
2017

Bhagat Ravidas in Rag Gauri Bairagan | Guru Granth Sahib 345

This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.

watch now ⟶

Articles

Wednesday
,
8
May
2019

How Can Bithal Exist There?

Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One? How can the Divine exist in moments when we feel like we are not ourselves, when we feel like our own Light has been dimmed into almost nothing, when we cannot step ourselves out of our heavy boots just by reminding ourselves of IkOankar — when we cannot think ourselves out of the way that we feel?

READ More ⟶
Wednesday
,
27
February
2019

The Ungraceful Bride

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

READ More ⟶
Thursday
,
21
February
2019

ਥਾਲ ਵਿਚਿ ਤਿੰਨਿ ਵਸਤੂ ਪਈਓ ਸਤੁ ਸੰਤੋਖੁ ਵੀਚਾਰੋ ॥ Reflect on the Truth and the Contentment

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

READ More ⟶
Thursday
,
21
February
2019

ਗਰੀਬਾ ਊਪਰਿ ਜਿ ਖਿੰਜੈ ਦਾੜੀ ਪਾਰਬ੍ਰਹਮ ਸ ਅਗਨਿ ਮਹਿ ਸਾੜੀ Creator Administers Complete Justice

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

READ More ⟶
Thursday
,
21
February
2019

ਅਵਲਿ ਅਲਹ ਨੂਰੁ ਉਪਾਇਆ ਕੁਦਰਤਿ ਕੇ ਸਭ ਬੰਦੇ ॥ The Entire Universe was Created from One Light

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

READ More ⟶
Monday
,
28
January
2019

O' My Mother! Mind Pierced by the Compassionate

In the joyful Rag Bilaval, Guru Nanak Sahib's Sabad radiates profound spirituality, devotion, and the recognition of the One’s omnipresence.

READ More ⟶
Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

READ More ⟶
Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.

READ More ⟶
Sunday
,
22
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

READ More ⟶
Monday
,
30
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

READ More ⟶
Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.

READ More ⟶
Sunday
,
12
February
2017

O! People, if I Meet a Trader of the Charmer-Divine...

Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.

READ More ⟶

Podcasts

Monday
,
28
August
2017

My Mind Burns Deeply for All-Pervasive’s Experience

In the melodic strains of Rag Gond, Guru Ramdas Sahib's Sabad resonates with a triumphant yet humble spirit, reflecting a balanced perspective on spiritual attainment.

LISTEN NOW⟶
Monday
,
21
August
2017

Remember All-Pervasive, All-Pervasive Nam with the Sage-Guru

The Sabad begins with a gentle reminder to remember the All-Pervasive and immerse oneself in the divine Nam alongside the Sage-Guru. This call to remembrance is portrayed as a source of continuous bliss, nurturing the seed of spirituality within...

LISTEN NOW⟶
Monday
,
14
August
2017

Love of the Beloved is Lovely

The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.

LISTEN NOW⟶
Thursday
,
10
August
2017

Those Who Forget Nam Become a Burden on the Earth

This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.

LISTEN NOW⟶
Monday
,
31
July
2017

This Mind Becomes Green

In the vibrant and energetic ambiance of Basant Rag, Guru Amardas Sahib's Sabad captures the essence of springtime—a season of renewal, joy, and the departure of the cold winter.

LISTEN NOW⟶
Thursday
,
27
July
2017

I Surrender to My Own Guru!

The Sabad begins with a profound surrender to the Guru, a heartfelt offering of praise spanning hours. This symbolizes the depth of devotion and the unyielding commitment to the Divine.

LISTEN NOW⟶
Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

LISTEN NOW⟶
Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. 

LISTEN NOW⟶
Monday
,
23
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Sunday
,
29
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.

LISTEN NOW⟶
Wednesday
,
15
February
2017

O! People, if I Meet a Trader of the Charmer-Divine

This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.

LISTEN NOW⟶

Courses

No courses found. See all Courses.

Resources

No resources found. See all Resources.