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Videos
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Sabad Hajare Patisahi 10 - Sabad 01: Renunciation Redefined
Harinder Singh and Jasleen Kaur explore the context of Indic paradigms, rituals, systems, and popular understandings that the Guru addresses in his reframing of renunciation and non-attachment.
Sabad Hajare Patisahi 10 - Introduction
This video serves as an introduction to the series, offering a conversation between Harinder Singh, the Innovation Director, and Jasleen Kaur, a Research Associate.
Explore Pahare
In this video Surenderpal shares about the newly launched annotation of two Sabads (Infinite-Wisdom) of Pahare by Guru Nanak Sahib in Sirirag. Sirirag is a rag (musical mode) that is serious in nature and thought-provoking.
Explore Rag Sorathi
The Guru Granth Sahib Project is pleased to launch the annotation of twelve Sabads (Infinite-Wisdom) by Guru Teghbahadar Sahib in Rag Sorath. Sorath is a rag (musical mode) of serious nature based on the mood of detachment.
Sabad is Infinite Wisdom – Words of Faith
Sabad is vast. It is infinite wisdom.
Guru Nanak Sahib, Rag Bihagare ki Var | Guru Granth Sahib 553 | Artist: Akal Academy, Baru Sahib
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 96
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
Bhagat Ravidas in Rag Gauri Bairagan | Guru Granth Sahib 345
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
Guru Ramdas Sahib in Rag Devgandhari | Guru Granth Sahib 527 | Artist: Bhai Avtar Singh
Articles
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Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
The Fragrance of Bhai Vir Singh
Guru Nanak Sahib and the Jogi narrative is from Bhai Sahib Bhai Vir Singh’s book, "Guru Nanak Chamatkar". The dialogue occurs at the hermitage of an ascetic sect residing in South India's Kanji Forest.
Sabad Structure in the Guru Granth Sahib
While reading the Guru Granth Sahib, we come across various Sabad structures and forms. Some small and others long. Some have two stanzas, others three, four, or more. What do these different stanzas tell us about a Sabad or its structure?
ਕਲਿ ਕਲਵਾਲੀ ਕਾਮੁ ਮਦੁ ਮਨੂਆ ਪੀਵਣਹਾਰੁ ॥ Ignorance-era is the Carafe
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Those Who Forget Nam Become a Burden on the Earth
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
Surrender Mind and Body, Forsake Societal Norms
In the vibrant rhythm of rag Suhi, Guru Arjan Sahib's Sabad emanates profound love and devotion, evoking a sense of reverential adoration.
Those Who Forget Nam Become a Burden on the Earth
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
ਕਲਿ ਕਲਵਾਲੀ ਕਾਮੁ ਮਦੁ ਮਨੂਆ ਪੀਵਣਹਾਰੁ ॥ Ignorance-era is the Carafe
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Sabad Structure in the Guru Granth Sahib
While reading the Guru Granth Sahib, we come across various Sabad structures and forms. Some small and others long. Some have two stanzas, others three, four, or more. What do these different stanzas tell us about a Sabad or its structure?
The Fragrance of Bhai Vir Singh
Guru Nanak Sahib and the Jogi narrative is from Bhai Sahib Bhai Vir Singh’s book, "Guru Nanak Chamatkar". The dialogue occurs at the hermitage of an ascetic sect residing in South India's Kanji Forest.
Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Podcasts
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My Sovereign is new everyday – The Sikh Cast | SikhRI
The Sikh Cast Host, Manpreet Singh, revisits an episode from the past to help shed light on the present. Through Sabad we explore coming to terms with fear and overcoming anxiety during the current global pandemic.
Reflecting, Sharing, Caring, Amid COVID-19 –– The Sikh Cast | SikhRI
Inni Kaur is sharing her reflections on how we can each deal with the effects of social distancing amid the Covid-19 crisis, so we can maintain an intimate relationship with each other through Sabad.
All Under The Earth (Ham Jer Jimī)
ਹਮ ਜੇਰ ਜਿਮੀ ਦੁਨੀਆ ਪੀਰਾਮ ਸਾਇਕਾ ਰਾਇਆ ॥ ham jer jimī dunīā pīrām sāikā rāiā. هم زیر زمین دنیا پیران شیخ ها راییا All the sheikhs, spiritual teachers, rulers [will be buried] under the ground.
Whichever day comes, that day goes (Pt.2)
At this point in my life, this sabad has come to me for reasons other than telling me to keep moving even when everything feels big and hard to navigate.
Fill This Unbaked Vessel: O’ Creator
In this transcreation, the original Gurmukhi is followed by an English transcription to guide the pronunciation of the Sabad (Divine Word) in its original form.
Whichever day comes, that day goes (Pt. 1)
Jasleen Kaur says "This sabad has gently nudged me forward, too many times to count — moved me in some tangible direction, reminded me that the hard days — the days when I cannot get myself to do much of anything — are transient."
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
O! People, if I Meet a Trader of the Charmer-Divine
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
Guru Hasn’t Held It Back From the Mind
Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
That Husband-Beloved’s Love
Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
Everywhere I Go, Bithal is Present
Listen to Harinder Singh’s reflection on Bhagat Namdev’s evolution from deity worship to seeing Divinity pervading everywhere.
