The Guru Granth Sahib is the eternal Guru and the supreme guiding authority for the Sikhs in every aspect of life. It is accorded utmost respect whenever Sikhs handle it or discuss its text. It is not only the scriptural canon of the Sikhs that offers wisdom, grace, and freedom to all, but it also personifies perfection, and the Divine instituted Sovereignty. The Guru Granth Sahib includes utterances of six Gurus, three Sikhs, fifteen saints of various religious traditions, and eleven bards from the Gurus’ courts. The Guru Granth Sahib is written in Gurmukhi, a script institutionalized by Guru Angad Sahib. It was Guru Arjan Sahib, who compiled the utterances of the previous Gurus, Sikhs and saints, into the Adi Granth, and placed it in Sri Harimandar Sahib, in 1604. Guru Gobind Singh Sahib added the utterances of Guru Teghbahadar Sahib, in the Adi Granth, and raised the scripture to the status of perpetual Guru, ordaining it as the Guru Granth Sahib in 1708. The Guru Granth Sahib should not be viewed as a law book of “dos and don’ts.” It contains a timeless and unique value system for ethical and moral living based on the love of the one Divine.
In this Sabad, Bhagat Pipa inspires the seeker to experience the all-pervading IkOankar within oneself rather than searching for IkOankar outside in physical spaces.
According to Bhai Vir Singh and the scholars of Shabdarth, ‘Ghoria’ are songs of blessings, sung when the bridegroom mounts the mare.
Initiation Ceremony is an important part of many religious traditions worldwide. It often marks a significant milestone in a seeker’s life and is a way of formally admitting a seeker into the religious community.
The Guru Granth Sahib Project is pleased to launch the annotation of four separate Sabads (compositions) revealed by Guru Arjan Sahib on the theme of Birth.
The Guru Granth Sahib Project is pleased to launch the annotation of pauris (stanzas) nine to seventeen of the composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful...
The Guru Granth Sahib Project is pleased to launch the annotation of the first eight stanzas of the Composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
Metaphors come alive, painting a vivid picture of life's complexities. The imagery of a suckling calf affecting milk, bees disrupting a flower, and fish muddying water draws attention to the innate interplay of purity and impurity.
This essay reflects on the sacred nature of giving, inspired by Guru Amardas Sahib's and Baba Mohri ji's narrative. It explores the importance of honoring the trust placed in us when we receive resources meant for the greater good.
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Embark on a transformative journey through Sikhi’s essence as we explore the Guru Granth Sahib. Beyond a conventional text, it intertwines nature, introspection, and wisdom.
In the tenth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that identifying with the attributes and existence of the 1 eliminates fear.
In the ninth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that the One Divine will remain fully capable of destroying and creating.
In the eighth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib questions how That One can be said to be in one human form.
“The whole Guru Grantha is the voice of a wedded women or a maiden pining in love of the Beautiful. Her nobleness in Guru Grantha is infinite, her freedom is of the highest. Both man and woman as sexes are forgotten in her voice.
Every year, when December rolls around, there is much buzz about the holiday season. From Hanukah to Kwanzaa and, of course, Christmas, it is a time of gatherings, decorations and gift exchange.
Embark on a poignant journey with the author as she reflects on her evolving relationship with her hair, exploring the nuanced layers of Sikh identity, love for Sabad, and the profound impact of choices made during the tumultuous times of 1984.
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
Gatha refers to a song or verse, rooted in the word gai, to speak, sing, or recite. It can also refer to a profound discourse with the self beyond simple praise or devotion.
The essence of this composition is revealed in the stanza of rahau (Pause). In it, worldly accounting (entanglements) is described as useless.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
Patti is a poetic form rooted in the Gurmukhi alphabet. Traditionally, students in Punjabi culture used a wooden tablet, called a patti, to practice writing letters.
In Maru Kaphi, Guru Nanak Sahib reflects on the grief caused by separation from IkOankar, showing that even with worldly comforts, one remains unhappy without this connection.
In this Sabad, Bhagat Sain Ji sings the ‘Arti’ of the transcendent Supreme Being, IkOankar (the Divine). He emphasizes that the true 'Arti' of IkOankar is not a ritualistic act of adorning a platter with incense, lamps, and ghee.
In the vibrant and energetic ambiance of Basant Rag, Guru Amardas Sahib's Sabad captures the essence of springtime—a season of renewal, joy, and the departure of the cold winter.
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
The Sabad begins with a gentle reminder to remember the All-Pervasive and immerse oneself in the divine Nam alongside the Sage-Guru. This call to remembrance is portrayed as a source of continuous bliss, nurturing the seed of spirituality within...
In the melodic strains of Rag Gond, Guru Ramdas Sahib's Sabad resonates with a triumphant yet humble spirit, reflecting a balanced perspective on spiritual attainment.
Through divine perception, the seeker beholds the All-Pervasive as the ultimate Sovereign, the Owner of all beings, and the Chief of creation.