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Videos
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Explore Bhagat Ramanand
The Guru Granth Sahib Project is pleased to launch the annotation of one Sabad by Bhagat Ramanand under Rag Basant. Rag Basant is a season-specific rag (musical mode) that evokes the spring season's joy, excitement, and cheerfulness.
The Foundation of The Guru Granth Sahib Project
The Guru Granth Sahib Project is designed for seekers, scholars, and techies to explore and strengthen their relationship with the Sabad of the Guru Granth Sahib.
Explore Maru Kaphi
The Guru Granth Sahib Project is pleased to launch the annotation of three Sabads of 'Maru Kaphi' by Guru Nanak Sahib in Rag Maru Kaphi. Maru is a rag (musical mode) that evokes feelings of enthusiasm and zeal.
Experience the Wisdom of The Guru Granth Sahib with TGGSP
With the help of The Guru Granth Sahib Project, people from all walks of life can build a deeper connection to the Guru Granth Sahib.
Explore Lava
The Guru Granth Sahib Project is pleased to launch the annotation of four stanzas of 'Lava' by Guru Ramdas Sahib in Rag Suhi. Suhi is a rag of enthusiasm. It is associated with deep love and devotion and is used to evoke feelings of deep adoration.
Symbolism in the Guru Granth Sahib: The Fish
The symbolism of fish that cannot survive outside the water is often used to depict the nature of the relationship a human being is encouraged to have with IkOankar (1Force, Divine).
Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
Bhagat Ravidas ji in Gujri Rag | Guru Granth Sahib 525 | Artist: Bhai Harjinder Singh
Metaphors come alive, painting a vivid picture of life's complexities. The imagery of a suckling calf affecting milk, bees disrupting a flower, and fish muddying water draws attention to the innate interplay of purity and impurity.
Articles
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Guru Amardas Sahib: The Essence of Giving
This essay reflects on the sacred nature of giving, inspired by Guru Amardas Sahib's and Baba Mohri ji's narrative. It explores the importance of honoring the trust placed in us when we receive resources meant for the greater good.
Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Wisdom Enthroned
Embark on a transformative journey through Sikhi’s essence as we explore the Guru Granth Sahib. Beyond a conventional text, it intertwines nature, introspection, and wisdom.
Sabad Hajare Patisahi 10 - Sabad 10: 1’s Identification
In the tenth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that identifying with the attributes and existence of the 1 eliminates fear.
Sabad Hajare Patisahi 10 - Sabad 09: Divine Creator
In the ninth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib declares that the One Divine will remain fully capable of destroying and creating.
Sabad Hajare Patisahi 10 - Sabad 08: That One
In the eighth composition of the “Sabad Hajare Patisahi 10” (popularly Shabad Hazare Patshahi 10) series, Guru Gobind Singh Sahib questions how That One can be said to be in one human form.
Woman: Gateway to Freedom
“The whole Guru Grantha is the voice of a wedded women or a maiden pining in love of the Beautiful. Her nobleness in Guru Grantha is infinite, her freedom is of the highest. Both man and woman as sexes are forgotten in her voice.
Buttons, Jump Ropes, and Chocolate Cake
Every year, when December rolls around, there is much buzz about the holiday season. From Hanukah to Kwanzaa and, of course, Christmas, it is a time of gatherings, decorations and gift exchange.
Tresses & I
Embark on a poignant journey with the author as she reflects on her evolving relationship with her hair, exploring the nuanced layers of Sikh identity, love for Sabad, and the profound impact of choices made during the tumultuous times of 1984.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
How May I Visualize Guru Gobind Singh Sahib?
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
Podcasts
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Surrender Mind and Body, Forsake Societal Norms
The Sabad cautions against the pitfalls of ego and self-centeredness, which hinder entry into the Divine realm and lead to regret and suffering.
Brimful Immortal Nectar is Within the Home
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Colorful Enticer is My Life’s Honor
The Sabad’s progress unveils the diversity of human affection. Worldly attachments and pride entrance some, while the devotees of the Divine embrace an affection for the Freedom-state inherent in the All-Pervasive.
I Cannot Live Without All-Pervasive For Even a Moment or an Instant
In the melodic embrace of Rag Asavar, Guru Ramdas Sahib's bestowed Sabad resonates, capturing the transitional hues from late afternoon to early evening.
Who are Mother, Father, Children and Wife? Who is Whose Sibling?
The Sabad begins with a clear reminder: no one is your ultimate support except the Divine, the One. Relationships we hold dear—our parents, children, spouses, and siblings—are fleeting.
If I Address You as a Leader, How is That Expressing Your Greatness?
The Sabad begins by addressing the One as the Emperor, acknowledging that any attempt to describe the Greatness of the One falls short.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Hasn’t Held It Back From the Mind
Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
