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Videos
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Guru Nanak Sahib in Rag Sarang | Guru Granth Sahib 1197 | Artist: Bhai Harjinder Singh (Srinagar)
The Sabad opens with the Guru's profound declaration of being a "maiden-slave" of the Divine Ruler, symbolizing complete surrender and dedication.
Guru Nanak Sahib, Rag Bihagare ki Var | Guru Granth Sahib 553 | Artist: Akal Academy, Baru Sahib
Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 681 | Artist: Akal Academy Baru Sahib
This Sabad invites the listener into a space of joy and spiritual contemplation, where the heart's humbleness becomes the key to unlocking the treasures of divine remembrance and protection.
Guru Arjan Sahib in Rag Kedara | GGS 1120 | Artist: Bhai Gurmeet Singh
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
Guru Arjan Sahib in Rag Malar | GGS 1267 | Artist: Nirmal Singh Ji
Guru Arjan Sahib in Rag Sarang | GGS 1219 | Artist: Bhai Baljit Singh & Gurmeet Singh
Guru Nanak Sahib in Dhanasari Rag | Guru Granth Sahib 660 | Artist: Bhai Onkar Singh Ji
The Sabad opens with an intimate tremor within, a yearning for someone to call upon. The call to serve the Remover of sufferings reverberates in this vulnerability, underscoring the concept of an eternal giver.
Guru Ramdas Sahib in Rag Jaitsari | Guru Granth Sahib 696 | Artist: Bhai Dharam Singh Zakhmi
The Sabad then contrasts the fate of those without the Guru, describing them as self-centered and foolish, trapped in illusion and leading lives devoid of purpose.
Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 406
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage. Guru Arjan Sahib asks, “Where does one go to experience the ultimate comfort?”
Guru Arjan Sahib in Rag Dhanasari | GGS 681 | Artist: Bhai Baljit Singh & Gurmeet Singh
The Sabad begins by vividly illustrating the Divine's omnipotent strength, which extends in all directions and places a protective Hand on the devotee's head.
Bhagat Namdev in Rag Asa | Guru Granth Sahib 485
This composition by Bhagat Namdev is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage. In Bhagat Namdev’s earlier worship mode, he was a follower of the “Bithal” deity.
Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 683 | Artist: Gurmit Singh
The imagery of seeking the Divine's gracious glance, saving embrace, and a pull from the well of worldly entanglements invites reflection.
Articles
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How Can Bithal Exist There?
Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One? How can the Divine exist in moments when we feel like we are not ourselves, when we feel like our own Light has been dimmed into almost nothing, when we cannot step ourselves out of our heavy boots just by reminding ourselves of IkOankar — when we cannot think ourselves out of the way that we feel?
The Ungraceful Bride
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
ਥਾਲ ਵਿਚਿ ਤਿੰਨਿ ਵਸਤੂ ਪਈਓ ਸਤੁ ਸੰਤੋਖੁ ਵੀਚਾਰੋ ॥ Reflect on the Truth and the Contentment
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
ਗਰੀਬਾ ਊਪਰਿ ਜਿ ਖਿੰਜੈ ਦਾੜੀ ਪਾਰਬ੍ਰਹਮ ਸ ਅਗਨਿ ਮਹਿ ਸਾੜੀ Creator Administers Complete Justice
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
ਅਵਲਿ ਅਲਹ ਨੂਰੁ ਉਪਾਇਆ ਕੁਦਰਤਿ ਕੇ ਸਭ ਬੰਦੇ ॥ The Entire Universe was Created from One Light
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
O' My Mother! Mind Pierced by the Compassionate
In the joyful Rag Bilaval, Guru Nanak Sahib's Sabad radiates profound spirituality, devotion, and the recognition of the One’s omnipresence.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Your Nam is the Merchandise and the Trade, Indeed!
Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.
O! People, if I Meet a Trader of the Charmer-Divine...
Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
Podcasts
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Nothing Comes, Nothing Goes
The Sabad begins with a profound declaration— the body itself is a manifestation of the divine, a temple, and a wandering pilgrim. This poetic imagery invites reflection on the sacred nature of the physical form, transforming it into a vessel for...
My Mind Burns Deeply for All-Pervasive’s Experience
In the melodic strains of Rag Gond, Guru Ramdas Sahib's Sabad resonates with a triumphant yet humble spirit, reflecting a balanced perspective on spiritual attainment.
Remember All-Pervasive, All-Pervasive Nam with the Sage-Guru
The Sabad begins with a gentle reminder to remember the All-Pervasive and immerse oneself in the divine Nam alongside the Sage-Guru. This call to remembrance is portrayed as a source of continuous bliss, nurturing the seed of spirituality within...
Love of the Beloved is Lovely
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
Those Who Forget Nam Become a Burden on the Earth
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
This Mind Becomes Green
In the vibrant and energetic ambiance of Basant Rag, Guru Amardas Sahib's Sabad captures the essence of springtime—a season of renewal, joy, and the departure of the cold winter.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Your Nam is the Merchandise and the Trade, Indeed!
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
O! People, if I Meet a Trader of the Charmer-Divine
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
