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Videos
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Guru Arjan Sahib in Rag Suhi | Guru Granth Sahib 737 | Artist: Bhai Surjeet Singh
The Sabad extols the bride-lover (seeker), who recognizes the Divine presence and surrenders to the Divine will, shedding the ego and immersing in the Beloved's embrace. Continuing, the Sabad offers guidance from one friend to another, advising on...
Guru Amardas Sahib in Rag Sorath | Guru Granth Sahib 644 | Artist: Bhai Sarabjeet Singh
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Guru Arjan Sahib in Rag Gujari | Guru Granth Sahib 498 | Artist: Bhai Avtar Singh
The Sabad’s progress unveils the diversity of human affection. Worldly attachments and pride entrance some, while the devotees of the Divine embrace an affection for the Freedom-state inherent in the All-Pervasive.
Guru Nanak Sahib in Rag Bilaval | Guru Granth Sahib 795 | Artist: Ranbir Singh
Guru Nanak Sahib expresses his humility, recognizing his ignorance and inability to fully capture the Majesty of the One. The Guru then makes a heartfelt plea for the grace to understand and sing the virtues of the One, aspiring to remain connected...
Guru Ramdas Sahib in Rag Bairari | Guru Granth Sahib 720 | Artist: Unknown
O! My mind, utter the Charmer-Divine’s Nam for liberation. Millions upon millions of transgressions totally eliminated, All-Pervasive enables world-ocean crossing. 1. Reflect. All-Pervasive Divine abides in the body-town, All-Pervasive is fear-less, foe
Guru Arjan Sahib in Rag Todi | Guru Granth Sahib 713 | Artist: Bhai Avtar Singh
O! Eternal-Guru, I have come to Your sanctuary to receive the comfort and glory of All-Pervasive Nam, and to remove my anxieties. 1. Reflect. Cannot think of another abode, defeated, I fall at Your door. Ignore the record, liberate without the record, fre
Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 96
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
Bhagat Ravidas in Rag Gauri Bairagan | Guru Granth Sahib 345
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
Articles
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How Can Bithal Exist There?
Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One? How can the Divine exist in moments when we feel like we are not ourselves, when we feel like our own Light has been dimmed into almost nothing, when we cannot step ourselves out of our heavy boots just by reminding ourselves of IkOankar — when we cannot think ourselves out of the way that we feel?
The Ungraceful Bride
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
ਥਾਲ ਵਿਚਿ ਤਿੰਨਿ ਵਸਤੂ ਪਈਓ ਸਤੁ ਸੰਤੋਖੁ ਵੀਚਾਰੋ ॥ Reflect on the Truth and the Contentment
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
ਗਰੀਬਾ ਊਪਰਿ ਜਿ ਖਿੰਜੈ ਦਾੜੀ ਪਾਰਬ੍ਰਹਮ ਸ ਅਗਨਿ ਮਹਿ ਸਾੜੀ Creator Administers Complete Justice
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
ਅਵਲਿ ਅਲਹ ਨੂਰੁ ਉਪਾਇਆ ਕੁਦਰਤਿ ਕੇ ਸਭ ਬੰਦੇ ॥ The Entire Universe was Created from One Light
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
O' My Mother! Mind Pierced by the Compassionate
In the joyful Rag Bilaval, Guru Nanak Sahib's Sabad radiates profound spirituality, devotion, and the recognition of the One’s omnipresence.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Your Nam is the Merchandise and the Trade, Indeed!
Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.
O! People, if I Meet a Trader of the Charmer-Divine...
Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
Podcasts
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Whichever day comes, that day goes (Pt.2)
At this point in my life, this sabad has come to me for reasons other than telling me to keep moving even when everything feels big and hard to navigate.
Whichever day comes, that day goes (Pt. 1)
Jasleen Kaur says "This sabad has gently nudged me forward, too many times to count — moved me in some tangible direction, reminded me that the hard days — the days when I cannot get myself to do much of anything — are transient."
Ep65 - “On the platter are placed three things...”
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
I am Nothing, I have Nothing, Nothing is Mine
The Sabad opens with a poignant tale of selflessness, where one assumes the role of a disguiser to protect the honor of the king's daughter. Despite harboring lustful and selfish desires, the individual's act preserves honor, highlighting the...
Remembering, My Owner Divine
The Sabad commences with a profound invocation – the cooling of body, mind, and bosom through the continuous remembrance of the Divine Owner. This remembrance transforms the very essence of the being, where beauty, color, comfort, wealth, and caste...
Nothing Comes, Nothing Goes
The Sabad begins with a profound declaration— the body itself is a manifestation of the divine, a temple, and a wandering pilgrim. This poetic imagery invites reflection on the sacred nature of the physical form, transforming it into a vessel for...
Without Nam Life is Pointless
The Sabad commences with a vivid image—the touch of the Guru's hand on the devotee's forehead, a profound moment when the jewel-like Nam of the All-Pervasive comes to reside in the heart.
That Husband-Beloved’s Love
Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
Everywhere I Go, Bithal is Present
Listen to Harinder Singh’s reflection on Bhagat Namdev’s evolution from deity worship to seeing Divinity pervading everywhere.
Whatever is Asked From the Ruler, That’s What is Given
The narrative seamlessly transitions to the benevolence of the All-Pervasive, the Guru as the Earth-Force protecting the servants. The description of a forgiving Being embracing and erasing all vices creates an imagery of boundless compassion.
O! Divine! Glance at Me, Graciously Save Me
The Sabad opens with a jubilant acknowledgment of the Reality realized through the grace of Eternal Perfection. The appeal to the All-Pervasive, the Earth-Force, and the Destroyer of sorrow set a tone of surrender and supplication.
O! Eternal-Guru, I Have Come to Your Sanctuary
The Sabad expresses a heartfelt plea to the Eternal Guru, evoking a longing for refuge in the sanctuary of divine grace. It portrays a deep sense of surrender and acknowledgment of the futility of seeking solace elsewhere.
