.svg)
Videos
.svg)
Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
Bhagat Ravidas in Rag Gauri Bairagan | Guru Granth Sahib 345
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 96
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 96
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
Bhagat Ravidas in Rag Gauri Bairagan | Guru Granth Sahib 345
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
Guru Ramdas Sahib in Rag Devgandhari | Guru Granth Sahib 527 | Artist: Bhai Avtar Singh
Articles
.svg)
Stanza Structure in a Sabad
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
The Fragrance of Bhai Vir Singh
Guru Nanak Sahib and the Jogi narrative is from Bhai Sahib Bhai Vir Singh’s book, "Guru Nanak Chamatkar". The dialogue occurs at the hermitage of an ascetic sect residing in South India's Kanji Forest.
Sabad Structure in the Guru Granth Sahib
While reading the Guru Granth Sahib, we come across various Sabad structures and forms. Some small and others long. Some have two stanzas, others three, four, or more. What do these different stanzas tell us about a Sabad or its structure?
ਕਲਿ ਕਲਵਾਲੀ ਕਾਮੁ ਮਦੁ ਮਨੂਆ ਪੀਵਣਹਾਰੁ ॥ Ignorance-era is the Carafe
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Those Who Forget Nam Become a Burden on the Earth
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
Surrender Mind and Body, Forsake Societal Norms
In the vibrant rhythm of rag Suhi, Guru Arjan Sahib's Sabad emanates profound love and devotion, evoking a sense of reverential adoration.
Tresses & I
Embark on a poignant journey with the author as she reflects on her evolving relationship with her hair, exploring the nuanced layers of Sikh identity, love for Sabad, and the profound impact of choices made during the tumultuous times of 1984.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Your Nam is the Merchandise and the Trade, Indeed!
Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.
Guru Hasn’t Held it Back From the Mind
Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
I Have No Worthy Flower for the Incomparable
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
Podcasts
.svg)
Introduction: The Politics and Poetics of Persian in Gurbani
Persian is one of the many languages found in the Guru Granth Sahib. Guru Nanak Sahib, Guru Arjan Sahib, and several of the bhagats revealed bani (Wisdom) in the Persian language.
My Rendezvous with Silence
"I have been yearning to experience a silent retreat. Not a structured one but a personal one. Being somewhat of a recluse, I just cannot see myself in a structured environment. It goes against my very core."
Sikh Cast Ep97 - Sabad of the Month Series: The Graceful Bride
ਸੂਹੀ ਮਹਲਾ ੧ ਸੁਚਜੀ ॥ ਜਾ ਤੂ ਤਾ ਮੈ ਸਭੁ ਕੋ ਤੂ ਸਾਹਿਬੁ ਮੇਰੀ ਰਾਸਿ ਜੀਉ ॥ ਤੁਧੁ ਅੰਤਰਿ ਹਉ ਸੁਖਿ ਵਸਾ ਤੂੰ ਅੰਤਰਿ ਸਾਬਾਸਿ ਜੀਉ ॥ ਭਾਣੈ ਤਖਤਿ ਵਡਾਈਆ ਭਾਣੈ ਭੀਖ ਉਦਾਸਿ ਜੀਉ ॥ ਭਾਣੈ ਥਲ ਸਿਰਿ ਸਰੁ ਵਹੈ ਕਮਲੁ ਫੁਲੈ ਆਕਾਸਿ ਜੀਉ ॥ ਭਾਣੈ ਭਵਜਲੁ ਲੰਘੀਐ ਭਾਣੈ ਮੰਝਿ ਭਰੀਆਸਿ ਜੀਉ ॥ ਭਾਣੈ ਸੋ ਸਹੁ ਰੰਗੁਲਾ ਸਿਫਤਿ ਰਤਾ ਗੁਣਤਾਸਿ ਜੀਉ ਭਾਣੈ ਸਹੁ ਭੀਹਾਵਲਾ ਹਉ ਆਵਣਿ ਜਾਣਿ ਮੁਈਆਸਿ ਜੀਉ ॥ ਤੂ ਸਹੁ ਅਗਮੁ ਅਤੋਲਵਾ ਹਉ ਕਹਿ ਕਹਿ ਢਹਿ ਪਈਆਸਿ ਜੀਉ ॥ ਕਿਆ ਮਾਗਉ ਕਿਆ ਕਹਿ ਸੁਣੀ ਮੈ ਦਰਸਨ ਭੂਖ ਪਿਆਸਿ ਜੀਉ ॥ ਗੁਰ ਸਬਦੀ ਸਹੁ ਪਾਇਆ ਸਚੁ ਨਾਨਕ ਕੀ ਅਰਦਾਸਿ ਜੀਉ ॥੨॥ O’ Life of life! O’ Breath of breath! When You are with me, I have all wealth. O’ Life of life! O’ Breath of breath! When You are within me, comfort, grandeur exists within me. O’ Life of life! O’ Breath of breath! In Your Will, I sit on a majestic throne. In Your Will, I wander begging. O’ Life of life! O’ Breath of breath! In Your Will, water flows in drylands. In Your Will, lotus blooms in the sky. O’ Life of life! O’ Breath of breath! In Your Will, I cross the world-ocean. In Your Will, I drown. O’ Life of life! O’ Breath of breath! In Your Will, I get colored by Husband. I am absorbed in the treasure-house of virtues. O’ Life of life! O’ Breath of breath! In Your Will, Husband seems fearful, hence - I go through birth-death-cycles. O’ Life of life! O’ Breath of breath! In Your Will, Husband is unweighable, unreachable. I fall down acknowledging. O’ Life of life! O’ Breath of breath! What to ask, what to say, what to listen? I hunger and thirst for Your vision. O’ Life of life! O’ Breath of breath! In Gur Sabad1 I met Husband. This is Nanak’s true prayer. 2. 1. Guru Nanak Sahib in Rag Suhi | Guru Granth Sahib 762 *The wisdom learnt from the Guru. Popularly refers to the hymns in the Guru Granth Sahib.
Sikh Cast Ep91 - Sabad of the Month Series: O’ My mother! Mind pierced by the Compassionate
In our Sabad of the Month Sikh Cast Host, Manpreet Singh and Inni Kaur explore the Sabad O’ My mother! Mind pierced by the Compassionate. Mind the temple, body the ascetic cloth, bathe within the heart pilgrim-shrine. One Sabad lives on my breath, no longer entering birth-cycle. 1. O’ My mother! Mind pierced by the Compassionate. Who knows the pain of others? I worry not about others. 1. Reflect. O’ Unreachable! O’ Unperceivable! O’ Indescribable! O’ Immeasurable, worry about me. Totally pervading on land, water and sky, Your Light is in each and every one. 2. All teaching, knowing, understanding is Yours, body-temple shade is Yours. I know no other except You. O’ My Sovereign! I forever sing and praise You. 3. All beings, creatures in Your sanctuary. All cares are Yours. Nanak’s one prayer: Whatever pleases You, that is good. 4. – Guru Nanak Sahib in Rag Bilaval | Guru Granth Sahib 795 ਬਿਲਾਵਲੁ ਮਹਲਾ ੧ ॥ ਮਨੁ ਮੰਦਰੁ ਤਨੁ ਵੇਸ ਕਲੰਦਰੁ ਘਟ ਹੀ ਤੀਰਥਿ ਨਾਵਾ ॥ ਏਕੁ ਸਬਦੁ ਮੇਰੈ ਪ੍ਰਾਨਿ ਬਸਤੁ ਹੈ ਬਾਹੁੜਿ ਜਨਮਿ ਨ ਆਵਾ ॥੧॥ ਮਨੁ ਬੇਧਿਆ ਦਇਆਲ ਸੇਤੀ ਮੇਰੀ ਮਾਈ ॥ ਕਉਣੁ ਜਾਣੈ ਪੀਰ ਪਰਾਈ ॥ ਹਮ ਨਾਹੀ ਚਿੰਤ ਪਰਾਈ ॥੧॥ ਰਹਾਉ ॥ ਅਗਮ ਅਗੋਚਰ ਅਲਖ ਅਪਾਰਾ ਚਿੰਤਾ ਕਰਹੁ ਹਮਾਰੀ ॥ ਜਲਿ ਥਲਿ ਮਹੀਅਲਿ ਭਰਿਪੁਰਿ ਲੀਣਾ ਘਟਿ ਘਟਿ ਜੋਤਿ ਤੁਮ੍ਹਾਰੀ ॥੨॥ ਸਿਖ ਮਤਿ ਸਭ ਬੁਧਿ ਤੁਮ੍ਹਾਰੀ ਮੰਦਿਰ ਛਾਵਾ ਤੇਰੇ ॥ ਤੁਝ ਬਿਨੁ ਅਵਰੁ ਨ ਜਾਣਾ ਮੇਰੇ ਸਾਹਿਬਾ ਗੁਣ ਗਾਵਾ ਨਿਤ ਤੇਰੇ ॥੩॥ ਜੀਅ ਜੰਤ ਸਭਿ ਸਰਣਿ ਤੁਮ੍ਹਾਰੀ ਸਰਬ ਚਿੰਤ ਤੁਧੁ ਪਾਸੇ ॥ ਜੋ ਤੁਧੁ ਭਾਵੈ ਸੋਈ ਚੰਗਾ ਇਕ ਨਾਨਕ ਕੀ ਅਰਦਾਸੇ ॥੪॥੨॥
Words of Faith - Sabad
Words of Faith: a new series explaining the recurring words in Guru Granth Sahib Sabad is vast. It is infinite wisdom. https://www.youtube.com/watch?v=Xrdpd9FRRug --- Support this podcast: https://anchor.fm/the-sikh-cast-sikhri/support
Those Who Forget Nam Become a Burden on the Earth
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
O! People, if I Meet a Trader of the Charmer-Divine
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
Guru Hasn’t Held It Back From the Mind
Listen as we explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
That Husband-Beloved’s Love
Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
Everywhere I Go, Bithal is Present
Listen to Harinder Singh’s reflection on Bhagat Namdev’s evolution from deity worship to seeing Divinity pervading everywhere.
