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Videos
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Guru Nanak Sahib, Rag Bihagare ki Var | Guru Granth Sahib 553 | Artist: Akal Academy, Baru Sahib
Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 681 | Artist: Akal Academy Baru Sahib
This Sabad invites the listener into a space of joy and spiritual contemplation, where the heart's humbleness becomes the key to unlocking the treasures of divine remembrance and protection.
Guru Arjan Sahib in Rag Kedara | GGS 1120 | Artist: Bhai Gurmeet Singh
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
Guru Arjan Sahib in Rag Malar | GGS 1267 | Artist: Nirmal Singh Ji
Guru Arjan Sahib in Rag Sarang | GGS 1219 | Artist: Bhai Baljit Singh & Gurmeet Singh
Bhagat Pipa ji in Rag Dhanasari | Guru Granth Sahib 695 | Artist: Bhai Amarjit Singh Taan
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Guru Arjan Sahib in Rag Todi | Guru Granth Sahib 713 | Artist: Bhai Avtar Singh
O! Eternal-Guru, I have come to Your sanctuary to receive the comfort and glory of All-Pervasive Nam, and to remove my anxieties. 1. Reflect. Cannot think of another abode, defeated, I fall at Your door. Ignore the record, liberate without the record, fre
Guru Ramdas Sahib in Rag Bairari | Guru Granth Sahib 720 | Artist: Unknown
O! My mind, utter the Charmer-Divine’s Nam for liberation. Millions upon millions of transgressions totally eliminated, All-Pervasive enables world-ocean crossing. 1. Reflect. All-Pervasive Divine abides in the body-town, All-Pervasive is fear-less, foe
Guru Nanak Sahib in Rag Bilaval | Guru Granth Sahib 795 | Artist: Ranbir Singh
Guru Nanak Sahib expresses his humility, recognizing his ignorance and inability to fully capture the Majesty of the One. The Guru then makes a heartfelt plea for the grace to understand and sing the virtues of the One, aspiring to remain connected...
Guru Arjan Sahib in Rag Gujari | Guru Granth Sahib 498 | Artist: Bhai Avtar Singh
The Sabad’s progress unveils the diversity of human affection. Worldly attachments and pride entrance some, while the devotees of the Divine embrace an affection for the Freedom-state inherent in the All-Pervasive.
Guru Amardas Sahib in Rag Sorath | Guru Granth Sahib 644 | Artist: Bhai Sarabjeet Singh
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Guru Arjan Sahib in Rag Suhi | Guru Granth Sahib 737 | Artist: Bhai Surjeet Singh
The Sabad extols the bride-lover (seeker), who recognizes the Divine presence and surrenders to the Divine will, shedding the ego and immersing in the Beloved's embrace. Continuing, the Sabad offers guidance from one friend to another, advising on...
Articles
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This Mind Becomes Green
In the vibrant and energetic ambiance of Basant Rag, Guru Amardas Sahib's Sabad captures the essence of springtime—a season of renewal, joy, and the departure of the cold winter.
I Surrender to My Own Guru
In the melodic embrace of Jaitsari rag, Guru Ramdas Sahib's Sabad unfolds with poignant sincerity, echoing the heartfelt sentiment of dependence and longing.
O! Ignorant. Wake up! Why Are You Asleep?
Bhagat Ravidas's Sabad captures the essence of deep love, devotion, and reverential adoration in the resonance of Rag Suhi.
Surrender Mind and Body, Forsake Societal Norms
In the vibrant rhythm of rag Suhi, Guru Arjan Sahib's Sabad emanates profound love and devotion, evoking a sense of reverential adoration.
Brimful Immortal Nectar is Within the Home
In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
Colorful Enticer is My Life’s Honor
This Sabad, bestowed upon us by Guru Ramdas Sahib, resonates within the melodic framework of Rag Asavar. Its evocative tones find their expression during the late afternoon transitioning into the early evening.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Your Nam is the Merchandise and the Trade, Indeed!
Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.
O! People, if I Meet a Trader of the Charmer-Divine...
Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
Podcasts
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Whichever day comes, that day goes (Pt.2)
At this point in my life, this sabad has come to me for reasons other than telling me to keep moving even when everything feels big and hard to navigate.
Whichever day comes, that day goes (Pt. 1)
Jasleen Kaur says "This sabad has gently nudged me forward, too many times to count — moved me in some tangible direction, reminded me that the hard days — the days when I cannot get myself to do much of anything — are transient."
Ep65 - “On the platter are placed three things...”
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
I am Nothing, I have Nothing, Nothing is Mine
The Sabad opens with a poignant tale of selflessness, where one assumes the role of a disguiser to protect the honor of the king's daughter. Despite harboring lustful and selfish desires, the individual's act preserves honor, highlighting the...
Remembering, My Owner Divine
The Sabad commences with a profound invocation – the cooling of body, mind, and bosom through the continuous remembrance of the Divine Owner. This remembrance transforms the very essence of the being, where beauty, color, comfort, wealth, and caste...
Nothing Comes, Nothing Goes
The Sabad begins with a profound declaration— the body itself is a manifestation of the divine, a temple, and a wandering pilgrim. This poetic imagery invites reflection on the sacred nature of the physical form, transforming it into a vessel for...
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Your Nam is the Merchandise and the Trade, Indeed!
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
O! People, if I Meet a Trader of the Charmer-Divine
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
