Sabad of the Week

Sabad of the Week

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

Videos

Sunday
,
17
December
2017

Guru Nanak Sahib in Rag Sarang | Guru Granth Sahib 1197 | Artist: Bhai Harjinder Singh (Srinagar)

‍The Sabad opens with the Guru's profound declaration of being a "maiden-slave" of the Divine Ruler, symbolizing complete surrender and dedication.

watch now ⟶
Monday
,
11
December
2017

Guru Nanak Sahib, Rag Bihagare ki Var | Guru Granth Sahib 553 | Artist: Akal Academy, Baru Sahib

watch now ⟶
Sunday
,
1
October
2017

Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 681 | Artist: Akal Academy Baru Sahib

This Sabad invites the listener into a space of joy and spiritual contemplation, where the heart's humbleness becomes the key to unlocking the treasures of divine remembrance and protection.

watch now ⟶
Wednesday
,
27
September
2017

Guru Arjan Sahib in Rag Kedara | GGS 1120 | Artist: Bhai Gurmeet Singh

The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.

watch now ⟶
Sunday
,
24
September
2017

Guru Arjan Sahib in Rag Malar | GGS 1267 | Artist: Nirmal Singh Ji

watch now ⟶
Monday
,
18
September
2017

Guru Arjan Sahib in Rag Sarang | GGS 1219 | Artist: Bhai Baljit Singh & Gurmeet Singh

watch now ⟶
Monday
,
20
February
2017

Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 404

This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.

watch now ⟶
Saturday
,
25
February
2017

Bhagat Ravidas ji in Gujri Rag | Guru Granth Sahib 525 | Artist: Bhai Harjinder Singh

Metaphors come alive, painting a vivid picture of life's complexities. The imagery of a suckling calf affecting milk, bees disrupting a flower, and fish muddying water draws attention to the innate interplay of purity and impurity.

watch now ⟶
Friday
,
3
March
2017

Guru Ramdas Sahib in Rag Devgandhari | Guru Granth Sahib 527 | Artist: Bhai Avtar Singh

watch now ⟶
Monday
,
13
March
2017

Guru Ramdas Sahib in Sorath Rag | Guru Granth Sahib 607 | Artist: Bhai Jarnail Singh Ji Surrey Wale

This Sabad by Guru Ramdas Sahib within Rag Sorath encompasses a tapestry of emotions: seriousness, love, separation, longing, and detachment. Traditionally performed, it encapsulates a spectrum of human experiences.

watch now ⟶
Monday
,
20
March
2017

Guru Arjan Sahib in Sorath Rag | Guru Granth Sahib 617 | Harmandir Sahib

All vegetation contains fire, all milk contains clarified butter.In high and low the Light abides, in every being’s heart is Master-Illusionist. 1. O! True Congregation, in each and every heart abides ‘The One.’

watch now ⟶
Monday
,
27
March
2017

Bhagat Ravidas ji in Sorath Rag | Guru Granth Sahib 658 | Artist: Harlove Singh

If You were the beautiful mountain, I would become the peacock. If You were the moon, I would become the chakor*. 1.

watch now ⟶

Articles

Sunday
,
17
December
2017

Enticer Enticed My Mind

Guru Nanak Sahib's Sabad, set in the serene and simple Sarang Rag, beautifully captures the essence of devotion and spiritual surrender amidst the oppressive heat of a summer afternoon. Sarang, associated with the late afternoon when the...

READ More ⟶
Monday
,
11
December
2017

ਕਲਿ ਕਲਵਾਲੀ ਕਾਮੁ ਮਦੁ ਮਨੂਆ ਪੀਵਣਹਾਰੁ ॥ Ignorance-era is the Carafe

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

READ More ⟶
Monday
,
13
November
2017

ਕੋਈ ਬੋਲੈ ਰਾਮ ਰਾਮ ਕੋਈ ਖੁਦਾਇ ॥ Some Say Ram-Ram, Some Khuda

Sabad is Infinite; we are finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad.

READ More ⟶
Tuesday
,
24
October
2017

ਮੂ ਲਾਲਨ ਸਿਉ ਪ੍ਰੀਤਿ ਬਨੀ ॥ Love With My Beloved Developed

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

READ More ⟶
Monday
,
16
October
2017

Fortunate are Dyed in Red-Love-Color

In the joyous Rag Bilaval, Guru Arjan Sahib's Sabad resonates with themes of divine love, immortality, and spiritual fulfillment. Bilaval, a rag known for evoking feelings of happiness, accomplishment, and determination, is a fitting backdrop...

READ More ⟶
Monday
,
9
October
2017

I am Nothing, I have Nothing, Nothing is Mine

Bhagat Sadhna's Sabad resonates with themes of sacrifice, humility, and devotion in the profound melody of Rag Bilaval. Bilaval, renowned for its determined mood, provides a fitting backdrop for this expression of deep spiritual contemplation.

READ More ⟶
Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

READ More ⟶
Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.

READ More ⟶
Sunday
,
22
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

READ More ⟶
Monday
,
30
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

READ More ⟶
Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.

READ More ⟶
Sunday
,
12
February
2017

O! People, if I Meet a Trader of the Charmer-Divine...

Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.

READ More ⟶

Podcasts

Wednesday
,
23
October
2019

Whichever day comes, that day goes (Pt.2)

At this point in my life, this sabad has come to me for reasons other than telling me to keep moving even when everything feels big and hard to navigate.

LISTEN NOW⟶
Thursday
,
26
September
2019

Whichever day comes, that day goes (Pt. 1)

Jasleen Kaur says "This sabad has gently nudged me forward, too many times to count — moved me in some tangible direction, reminded me that the hard days — the days when I cannot get myself to do much of anything — are transient."

LISTEN NOW⟶
Tuesday
,
26
December
2017

Ep65 - “On the platter are placed three things...”

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

LISTEN NOW⟶
Tuesday
,
19
December
2017

Enticer Enticed My Mind

The Sabad opens with the Guru's profound declaration of being a "maiden-slave" of the Divine Ruler, symbolizing complete surrender and dedication.

LISTEN NOW⟶
Monday
,
9
October
2017

I am Nothing, I have Nothing, Nothing is Mine

The Sabad opens with a poignant tale of selflessness, where one assumes the role of a disguiser to protect the honor of the king's daughter. Despite harboring lustful and selfish desires, the individual's act preserves honor, highlighting the...

LISTEN NOW⟶
Monday
,
2
October
2017

Remembering, My Owner Divine

The Sabad commences with a profound invocation – the cooling of body, mind, and bosom through the continuous remembrance of the Divine Owner. This remembrance transforms the very essence of the being, where beauty, color, comfort, wealth, and caste...

LISTEN NOW⟶
Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

LISTEN NOW⟶
Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. 

LISTEN NOW⟶
Monday
,
23
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Sunday
,
29
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.

LISTEN NOW⟶
Wednesday
,
15
February
2017

O! People, if I Meet a Trader of the Charmer-Divine

This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.

LISTEN NOW⟶

Courses

No courses found. See all Courses.

Resources

No resources found. See all Resources.