Sabad of the Week

Sabad of the Week

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

Videos

Monday
,
11
December
2017

Guru Nanak Sahib, Rag Bihagare ki Var | Guru Granth Sahib 553 | Artist: Akal Academy, Baru Sahib

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Sunday
,
1
October
2017

Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 681 | Artist: Akal Academy Baru Sahib

This Sabad invites the listener into a space of joy and spiritual contemplation, where the heart's humbleness becomes the key to unlocking the treasures of divine remembrance and protection.

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Wednesday
,
27
September
2017

Guru Arjan Sahib in Rag Kedara | GGS 1120 | Artist: Bhai Gurmeet Singh

The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.

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Sunday
,
24
September
2017

Guru Arjan Sahib in Rag Malar | GGS 1267 | Artist: Nirmal Singh Ji

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Monday
,
18
September
2017

Guru Arjan Sahib in Rag Sarang | GGS 1219 | Artist: Bhai Baljit Singh & Gurmeet Singh

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Monday
,
11
September
2017

Bhagat Pipa ji in Rag Dhanasari | Guru Granth Sahib 695 | Artist: Bhai Amarjit Singh Taan

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

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Monday
,
10
April
2017

Guru Nanak Sahib in Dhanasari Rag | Guru Granth Sahib 660 | Artist: Bhai Onkar Singh Ji

The Sabad opens with an intimate tremor within, a yearning for someone to call upon. The call to serve the Remover of sufferings reverberates in this vulnerability, underscoring the concept of an eternal giver.

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Monday
,
10
April
2017

Guru Ramdas Sahib in Rag Jaitsari | Guru Granth Sahib 696 | Artist: Bhai Dharam Singh Zakhmi

The Sabad then contrasts the fate of those without the Guru, describing them as self-centered and foolish, trapped in illusion and leading lives devoid of purpose.

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Monday
,
17
April
2017

Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 406

This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage. Guru Arjan Sahib asks, “Where does one go to experience the ultimate comfort?”

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Thursday
,
20
April
2017

Guru Arjan Sahib in Rag Dhanasari | GGS 681 | Artist: Bhai Baljit Singh & Gurmeet Singh

The Sabad begins by vividly illustrating the Divine's omnipotent strength, which extends in all directions and places a protective Hand on the devotee's head.

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Sunday
,
30
April
2017

Bhagat Namdev in Rag Asa | Guru Granth Sahib 485

This composition by Bhagat Namdev is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage. In Bhagat Namdev’s earlier worship mode, he was a follower of the “Bithal” deity.

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Monday
,
8
May
2017

Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 683 | Artist: Gurmit Singh

The imagery of seeking the Divine's gracious glance, saving embrace, and a pull from the well of worldly entanglements invites reflection.

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Articles

Wednesday
,
8
May
2019

How Can Bithal Exist There?

Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One? How can the Divine exist in moments when we feel like we are not ourselves, when we feel like our own Light has been dimmed into almost nothing, when we cannot step ourselves out of our heavy boots just by reminding ourselves of IkOankar — when we cannot think ourselves out of the way that we feel?

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Wednesday
,
27
February
2019

The Ungraceful Bride

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

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Thursday
,
21
February
2019

ਥਾਲ ਵਿਚਿ ਤਿੰਨਿ ਵਸਤੂ ਪਈਓ ਸਤੁ ਸੰਤੋਖੁ ਵੀਚਾਰੋ ॥ Reflect on the Truth and the Contentment

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

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Thursday
,
21
February
2019

ਗਰੀਬਾ ਊਪਰਿ ਜਿ ਖਿੰਜੈ ਦਾੜੀ ਪਾਰਬ੍ਰਹਮ ਸ ਅਗਨਿ ਮਹਿ ਸਾੜੀ Creator Administers Complete Justice

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

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Thursday
,
21
February
2019

ਅਵਲਿ ਅਲਹ ਨੂਰੁ ਉਪਾਇਆ ਕੁਦਰਤਿ ਕੇ ਸਭ ਬੰਦੇ ॥ The Entire Universe was Created from One Light

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

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Monday
,
28
January
2019

O' My Mother! Mind Pierced by the Compassionate

In the joyful Rag Bilaval, Guru Nanak Sahib's Sabad radiates profound spirituality, devotion, and the recognition of the One’s omnipresence.

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Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

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Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.

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Sunday
,
22
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

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Monday
,
30
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

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Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.

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Sunday
,
12
February
2017

O! People, if I Meet a Trader of the Charmer-Divine...

Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.

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Podcasts

Monday
,
10
July
2017

O! Ignorant. Wake up! Why Are You Asleep?

The Sabad begins with a poignant reflection on the transient nature of life. Each day that dawns eventually fades away, and the impermanence of our stay in this world is underscored by the inevitability of departure.

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Monday
,
3
July
2017

Surrender Mind and Body, Forsake Societal Norms

The Sabad cautions against the pitfalls of ego and self-centeredness, which hinder entry into the Divine realm and lead to regret and suffering.

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Tuesday
,
27
June
2017

Brimful Immortal Nectar is Within the Home

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

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Monday
,
19
June
2017

Colorful Enticer is My Life’s Honor

The Sabad’s progress unveils the diversity of human affection. Worldly attachments and pride entrance some, while the devotees of the Divine embrace an affection for the Freedom-state inherent in the All-Pervasive.

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Monday
,
12
June
2017

I Cannot Live Without All-Pervasive For Even a Moment or an Instant

In the melodic embrace of Rag Asavar, Guru Ramdas Sahib's bestowed Sabad resonates, capturing the transitional hues from late afternoon to early evening.

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Sunday
,
4
June
2017

Sikh Cast Ep35 - "Who are Mother, Father, Children and Wife? Who is Whose Sibling?"

No one is your support except the All-Pervasive.Who are mother, father, children and wife?Who is whose sibling? 1. Reflect.

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Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

LISTEN NOW⟶
Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. 

LISTEN NOW⟶
Monday
,
23
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Sunday
,
29
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

LISTEN NOW⟶
Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.

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Wednesday
,
15
February
2017

O! People, if I Meet a Trader of the Charmer-Divine

This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.

LISTEN NOW⟶

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