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Videos
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So Purakhu - Sabad 4
This enlightening video explores the profound teachings of the fourth Sabad of So Purakhu. Guru Arjan Sahib guides us to understand that being born as a human presents a unique opportunity to recognize the Supreme Being (IkOankar).
Explore Sabads On the Theme of Amrit (Initiation) Ceremony
Initiation Ceremony is an important part of many religious traditions worldwide. It often marks a significant milestone in a seeker’s life and is a way of formally admitting a seeker into the religious community.
Explore Sabads On the Theme of Birth & Naming Ceremony
The Guru Granth Sahib Project is pleased to launch the annotation of four separate Sabads (compositions) revealed by Guru Arjan Sahib on the theme of Birth.
Explore Thiti (Mahala 5) [Part 2]
The Guru Granth Sahib Project is pleased to launch the annotation of pauris (stanzas) nine to seventeen of the composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful...
Explore Thiti (Mahala 5) [Part 1]
The Guru Granth Sahib Project is pleased to launch the annotation of the first eight stanzas of the Composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
Guru Arjan Sahib in Rag Ramkali | Guru Granth Sahib 885 | Artist: Manjit Singh
Some say Ram-Ram1, some Khuda2. Some serve Gusai3, some Allah4. 1. O’ Cause-Effect, O’ Generous! O’ Gracious! O’ Compassionate! 1. Reflect. Some bathe at pilgrimages, some go to Hajj. Some perform worship, some bow their heads. 2. Some read the Vedas, som
Guru Arjan Sahib in Rag Asa | Guru Granth Sahib 406
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage. Guru Arjan Sahib asks, “Where does one go to experience the ultimate comfort?”
Guru Arjan Sahib in Rag Dhanasari | GGS 681 | Artist: Bhai Baljit Singh & Gurmeet Singh
The Sabad begins by vividly illustrating the Divine's omnipotent strength, which extends in all directions and places a protective Hand on the devotee's head.
Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 683 | Artist: Gurmit Singh
The imagery of seeking the Divine's gracious glance, saving embrace, and a pull from the well of worldly entanglements invites reflection.
Guru Arjan Sahib in Rag Todi | Guru Granth Sahib 713 | Artist: Bhai Avtar Singh
O! Eternal-Guru, I have come to Your sanctuary to receive the comfort and glory of All-Pervasive Nam, and to remove my anxieties. 1. Reflect. Cannot think of another abode, defeated, I fall at Your door. Ignore the record, liberate without the record, fre
Guru Arjan Sahib in Rag Suhi | Guru Granth Sahib 737 | Artist: Bhai Surjeet Singh
The Sabad extols the bride-lover (seeker), who recognizes the Divine presence and surrenders to the Divine will, shedding the ego and immersing in the Beloved's embrace. Continuing, the Sabad offers guidance from one friend to another, advising on...
Why was Guru Arjan Sahib Martyred?
Why was Guru Arjan Sahib Martyred? A talk by Harinder Singh (Senior Fellow, Research & Policy) in Abbotsford on June 18.
Articles
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From Pothi to Guru Granth Sahib
Guru Arjan Sahib gifted the eventual Guru Granth Sahib to humanity. Why did the Guru envision it? How did the Guru compile it? What did the Guru curate?
Light into the Dust
This Sabad (Divine Word), in Rag Tilang of the Guru Granth Sahib, is one of the few Sabads by Guru Arjan Sahib revealed in fluent Persian speech.
All-Enchanting Sabad
“This Divine Narrative of the All-Pervasive is what Guru Arjan Sahib has gifted to humanity.The way to experience divine realization, is revealed in Sabad.”
Remembering, My Owner Divine
In the enchanting melody of Dhanasari, a rag that evokes happiness, Guru Arjan Sahib weaves a Sabad that transcends the realms of joy and spiritual connection.
Love of the Beloved is Lovely
In the serene and contemplative ambiance of the Kedara rag, Guru Arjan Sahib's Sabad resonates with profound devotion and spirituality. Typically performed during the tranquil hours from 9 p.m. to midnight, the Kedara rag evokes deep emotions...
ਬਰਸੁ ਮੇਘ ਜੀ ਤਿਲੁ ਬਿਲਮੁ ਨ ਲਾਉ ॥ Rain! O’ Revered Cloud! Delay Not Even a Bit
Sabad is Infinite; we are finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad.
Today’s Hukam, Darbar Sahib, Amritsar
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
How May I Visualize Guru Gobind Singh Sahib?
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Charmer-Divine Permeates all Beings, in Water and on Land
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Whatever is Asked From the Ruler, That’s What is Given
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
O! Divine! Glance at Me, Graciously Save Me
In the harmonious embrace of Dhanasari, a rag that resonates with happiness, Guru Arjan Sahib crafts a Sabad that delves into the profound aspects of spiritual realization and seeking divine refuge.
Podcasts
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O! Eternal-Guru, I Have Come to Your Sanctuary
The Sabad expresses a heartfelt plea to the Eternal Guru, evoking a longing for refuge in the sanctuary of divine grace. It portrays a deep sense of surrender and acknowledgment of the futility of seeking solace elsewhere.
O! Divine! Glance at Me, Graciously Save Me
The Sabad opens with a jubilant acknowledgment of the Reality realized through the grace of Eternal Perfection. The appeal to the All-Pervasive, the Earth-Force, and the Destroyer of sorrow set a tone of surrender and supplication.
Whatever is Asked From the Ruler, That’s What is Given
The narrative seamlessly transitions to the benevolence of the All-Pervasive, the Guru as the Earth-Force protecting the servants. The description of a forgiving Being embracing and erasing all vices creates an imagery of boundless compassion.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Whatever is Asked From the Ruler, That’s What is Given
The narrative seamlessly transitions to the benevolence of the All-Pervasive, the Guru as the Earth-Force protecting the servants. The description of a forgiving Being embracing and erasing all vices creates an imagery of boundless compassion.
O! Divine! Glance at Me, Graciously Save Me
The Sabad opens with a jubilant acknowledgment of the Reality realized through the grace of Eternal Perfection. The appeal to the All-Pervasive, the Earth-Force, and the Destroyer of sorrow set a tone of surrender and supplication.
O! Eternal-Guru, I Have Come to Your Sanctuary
The Sabad expresses a heartfelt plea to the Eternal Guru, evoking a longing for refuge in the sanctuary of divine grace. It portrays a deep sense of surrender and acknowledgment of the futility of seeking solace elsewhere.
Surrender Mind and Body, Forsake Societal Norms
The Sabad cautions against the pitfalls of ego and self-centeredness, which hinder entry into the Divine realm and lead to regret and suffering.
