This enlightening video explores the profound teachings of the fourth Sabad of So Purakhu. Guru Arjan Sahib guides us to understand that being born as a human presents a unique opportunity to recognize the Supreme Being (IkOankar).
Initiation Ceremony is an important part of many religious traditions worldwide. It often marks a significant milestone in a seeker’s life and is a way of formally admitting a seeker into the religious community.
The Guru Granth Sahib Project is pleased to launch the annotation of four separate Sabads (compositions) revealed by Guru Arjan Sahib on the theme of Birth.
The Guru Granth Sahib Project is pleased to launch the annotation of pauris (stanzas) nine to seventeen of the composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful...
The Guru Granth Sahib Project is pleased to launch the annotation of the first eight stanzas of the Composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
Some say Ram-Ram1, some Khuda2. Some serve Gusai3, some Allah4. 1. O’ Cause-Effect, O’ Generous! O’ Gracious! O’ Compassionate! 1. Reflect. Some bathe at pilgrimages, some go to Hajj. Some perform worship, some bow their heads. 2. Some read the Vedas, som
Remember All-Pervasive, All-Pervasive Nam with the Sage-Guru, Naturally the bliss remains day and night, my seed sprouts. Reflect. Fortunately met the Perfect-Guru whose limits cannot be measured, grabbed servant’s hand and pulled it out of the poisono
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
This Sabad invites the listener into a space of joy and spiritual contemplation, where the heart's humbleness becomes the key to unlocking the treasures of divine remembrance and protection.
Some say Ram-Ram1, some Khuda2. Some serve Gusai3, some Allah4. 1. O’ Cause-Effect, O’ Generous! O’ Gracious! O’ Compassionate! 1. Reflect. Some bathe at pilgrimages, some go to Hajj. Some perform worship, some bow their heads. 2. Some read the Vedas, som
The Guru Granth Sahib Project is pleased to launch the annotation of the first eight stanzas of the Composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful and reflective mood.
The Guru Granth Sahib Project is pleased to launch the annotation of pauris (stanzas) nine to seventeen of the composition Thiti by Guru Arjan Sahib under Rag Gauri. Gauri is a rag (musical mode) of serious nature, which evokes a thoughtful...
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
In the harmonious embrace of Dhanasari, a rag that resonates with happiness, Guru Arjan Sahib crafts a Sabad that delves into the profound aspects of spiritual realization and seeking divine refuge.
In this episode from the Persian Voice of the Guru Granth Sahib series, Asha Marie Kaur tells us of the Persian linguistic influences of a Sabad by Guru Arjan Sahib.
In a new podcast series The 12 Gurus: From 1469 to Infinity, SikhRI sheds light on the lives and meaning of Gurus in Sikhi. Were they spiritualists and reformers or Divine and Revolutionaries? What lessons can we draw from them?
The Sabad commences with a profound invocation – the cooling of body, mind, and bosom through the continuous remembrance of the Divine Owner. This remembrance transforms the very essence of the being, where beauty, color, comfort, wealth, and caste...
The Sabad begins with a gentle reminder to remember the All-Pervasive and immerse oneself in the divine Nam alongside the Sage-Guru. This call to remembrance is portrayed as a source of continuous bliss, nurturing the seed of spirituality within...
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
The Sabad cautions against the pitfalls of ego and self-centeredness, which hinder entry into the Divine realm and lead to regret and suffering.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
The narrative seamlessly transitions to the benevolence of the All-Pervasive, the Guru as the Earth-Force protecting the servants. The description of a forgiving Being embracing and erasing all vices creates an imagery of boundless compassion.
The Sabad opens with a jubilant acknowledgment of the Reality realized through the grace of Eternal Perfection. The appeal to the All-Pervasive, the Earth-Force, and the Destroyer of sorrow set a tone of surrender and supplication.
The Sabad expresses a heartfelt plea to the Eternal Guru, evoking a longing for refuge in the sanctuary of divine grace. It portrays a deep sense of surrender and acknowledgment of the futility of seeking solace elsewhere.
The Sabad cautions against the pitfalls of ego and self-centeredness, which hinder entry into the Divine realm and lead to regret and suffering.