Sabad of the Week

Sabad of the Week

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

We are finite; our understanding is finite. Our understanding was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute used in the original Sabad and avoid terms like God or Lord.

Videos

Monday
,
16
January
2017

Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

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Monday
,
16
January
2017

Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

watch now ⟶
Monday
,
16
January
2017

Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.

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Monday
,
23
January
2017

Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 96

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

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Monday
,
30
January
2017

Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib. 

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Tuesday
,
7
February
2017

Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157

This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.

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Tuesday
,
14
February
2017

Bhagat Ravidas in Rag Gauri Bairagan | Guru Granth Sahib 345

This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.

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Articles

Wednesday
,
8
May
2019

How Can Bithal Exist There?

Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One? How can the Divine exist in moments when we feel like we are not ourselves, when we feel like our own Light has been dimmed into almost nothing, when we cannot step ourselves out of our heavy boots just by reminding ourselves of IkOankar — when we cannot think ourselves out of the way that we feel?

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Wednesday
,
27
February
2019

The Ungraceful Bride

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

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Thursday
,
21
February
2019

ਥਾਲ ਵਿਚਿ ਤਿੰਨਿ ਵਸਤੂ ਪਈਓ ਸਤੁ ਸੰਤੋਖੁ ਵੀਚਾਰੋ ॥ Reflect on the Truth and the Contentment

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

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Thursday
,
21
February
2019

ਗਰੀਬਾ ਊਪਰਿ ਜਿ ਖਿੰਜੈ ਦਾੜੀ ਪਾਰਬ੍ਰਹਮ ਸ ਅਗਨਿ ਮਹਿ ਸਾੜੀ Creator Administers Complete Justice

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.

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Thursday
,
21
February
2019

ਅਵਲਿ ਅਲਹ ਨੂਰੁ ਉਪਾਇਆ ਕੁਦਰਤਿ ਕੇ ਸਭ ਬੰਦੇ ॥ The Entire Universe was Created from One Light

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

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Monday
,
28
January
2019

O' My Mother! Mind Pierced by the Compassionate

In the joyful Rag Bilaval, Guru Nanak Sahib's Sabad radiates profound spirituality, devotion, and the recognition of the One’s omnipresence.

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Monday
,
16
January
2017

My Sovereign is Dyed in Color-Love

This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.

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Monday
,
16
January
2017

You & I, I & You; What’s the Difference?

This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.

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Sunday
,
22
January
2017

My Mind Pines for Guru’s Vision

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

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Monday
,
30
January
2017

Slowly and Gently Rains the Immortal Stream

This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.

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Monday
,
6
February
2017

Your Nam is the Merchandise and the Trade, Indeed!

Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.

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Sunday
,
12
February
2017

O! People, if I Meet a Trader of the Charmer-Divine...

Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.

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Podcasts

Wednesday
,
23
October
2019

Whichever day comes, that day goes (Pt.2)

At this point in my life, this sabad has come to me for reasons other than telling me to keep moving even when everything feels big and hard to navigate.

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Thursday
,
26
September
2019

Whichever day comes, that day goes (Pt. 1)

Jasleen Kaur says "This sabad has gently nudged me forward, too many times to count — moved me in some tangible direction, reminded me that the hard days — the days when I cannot get myself to do much of anything — are transient."

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Tuesday
,
26
December
2017

Ep65 - “On the platter are placed three things...”

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

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Tuesday
,
19
December
2017

Enticer Enticed My Mind

The Sabad opens with the Guru's profound declaration of being a "maiden-slave" of the Divine Ruler, symbolizing complete surrender and dedication.

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Monday
,
9
October
2017

I am Nothing, I have Nothing, Nothing is Mine

The Sabad opens with a poignant tale of selflessness, where one assumes the role of a disguiser to protect the honor of the king's daughter. Despite harboring lustful and selfish desires, the individual's act preserves honor, highlighting the...

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Monday
,
2
October
2017

Remembering, My Owner Divine

The Sabad commences with a profound invocation – the cooling of body, mind, and bosom through the continuous remembrance of the Divine Owner. This remembrance transforms the very essence of the being, where beauty, color, comfort, wealth, and caste...

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Monday
,
22
May
2017

All-Pervasive Enables World-Ocean Crossing

The Sabad urges the mind to utter the divine name of the Charmer-Divine for liberation. It speaks of the complete elimination of countless transgressions, facilitated by the grace of the All-Pervasive, enabling the crossing of the metaphorical world-ocean

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Monday
,
29
May
2017

If I Address You as a Leader, How is That Expressing Your Greatness?

The Sabad begins by addressing the One as the Emperor, acknowledging that any attempt to describe the Greatness of the One falls short.

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Sunday
,
4
June
2017

Sikh Cast Ep35 - "Who are Mother, Father, Children and Wife? Who is Whose Sibling?"

No one is your support except the All-Pervasive.Who are mother, father, children and wife?Who is whose sibling? 1. Reflect.

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Monday
,
12
June
2017

I Cannot Live Without All-Pervasive For Even a Moment or an Instant

In the melodic embrace of Rag Asavar, Guru Ramdas Sahib's bestowed Sabad resonates, capturing the transitional hues from late afternoon to early evening.

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Monday
,
19
June
2017

Colorful Enticer is My Life’s Honor

The Sabad’s progress unveils the diversity of human affection. Worldly attachments and pride entrance some, while the devotees of the Divine embrace an affection for the Freedom-state inherent in the All-Pervasive.

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Tuesday
,
27
June
2017

Brimful Immortal Nectar is Within the Home

Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.

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