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Videos
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Guru Arjan Sahib in Rag Bilaval | GGS 827 | Artists: Various
Bilaval evokes a sense of happiness, accomplishment, and the resolve to continue walking the spiritual path. In this Sabad, the overwhelming theme is the unshakable connection with the Divine, a bond so tightly secured by the "Master-Illusionist" that...
Guru Arjan Sahib Mundavani | Guru Granth Sahib 1429 | Artist: Bhai Dya Singh (Australia)
Guru Arjan Sahib’s Mundavani (seal) serves as a closing testament to the teachings of the Guru Granth Sahib, offering a metaphor that encapsulates the essence of spiritual wisdom.
Guru Nanak Sahib in Rag Sarang | Guru Granth Sahib 1197 | Artist: Bhai Harjinder Singh (Srinagar)
The Sabad opens with the Guru's profound declaration of being a "maiden-slave" of the Divine Ruler, symbolizing complete surrender and dedication.
Guru Nanak Sahib, Rag Bihagare ki Var | Guru Granth Sahib 553 | Artist: Akal Academy, Baru Sahib
Guru Arjan Sahib in Rag Dhanasari | Guru Granth Sahib 681 | Artist: Akal Academy Baru Sahib
This Sabad invites the listener into a space of joy and spiritual contemplation, where the heart's humbleness becomes the key to unlocking the treasures of divine remembrance and protection.
Guru Arjan Sahib in Rag Kedara | GGS 1120 | Artist: Bhai Gurmeet Singh
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
Rang Ratta Mera Sahib in Rag Siri | Guru Granth Sahib 23
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
Bhai Avtar Singh in Tohi Mohi Mohi Tohi Antar Kaisa | Guru Granth Sahib 93
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 96
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Arjan Sahib in Rag Majh | Guru Granth Sahib 102
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Guru Nanak Sahib in Rag Gauri Bairagan | Guru Granth Sahib 157
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
Bhagat Ravidas in Rag Gauri Bairagan | Guru Granth Sahib 345
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
Articles
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Whatever will be, will be (Part 1)
How Can Bithal Exist There?
Jasleen Kaur reflects on a Sabad by Bhagat Namdev to help her through some questions she has had during Mental Health Awareness Month: how can the Divine exist in places or situations that we feel are devoid of the One?
The Ungraceful Bride
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
ਅਵਲਿ ਅਲਹ ਨੂਰੁ ਉਪਾਇਆ ਕੁਦਰਤਿ ਕੇ ਸਭ ਬੰਦੇ ॥ The Entire Universe was Created from One Light
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
ਗਰੀਬਾ ਊਪਰਿ ਜਿ ਖਿੰਜੈ ਦਾੜੀ ਪਾਰਬ੍ਰਹਮ ਸ ਅਗਨਿ ਮਹਿ ਸਾੜੀ Creator Administers Complete Justice
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad. In this trans-creation, we have chosen to keep the repeating words in the Sabad same. We aspire to learn and retain the Divine attribute as used in the original Sabad and avoid terms like God or Lord.
Reflect on the Truth and the Contentment
Guru Arjan Sahib’s Mundavani (seal) serves as a closing testament to the teachings of the Guru Granth Sahib, offering a metaphor that encapsulates the essence of spiritual wisdom.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Your Nam is the Merchandise and the Trade, Indeed!
Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.
O! People, if I Meet a Trader of the Charmer-Divine...
Explore the Sabad (Shabad) of Bhagat Ravidas in the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur. Listen to Inni Kaur’s reflection on this Sabad.
Podcasts
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Remember All-Pervasive, All-Pervasive Nam with the Sage-Guru
The Sabad begins with a gentle reminder to remember the All-Pervasive and immerse oneself in the divine Nam alongside the Sage-Guru. This call to remembrance is portrayed as a source of continuous bliss, nurturing the seed of spirituality within...
Love of the Beloved is Lovely
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
Those Who Forget Nam Become a Burden on the Earth
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
This Mind Becomes Green
In the vibrant and energetic ambiance of Basant Rag, Guru Amardas Sahib's Sabad captures the essence of springtime—a season of renewal, joy, and the departure of the cold winter.
I Surrender to My Own Guru!
The Sabad begins with a profound surrender to the Guru, a heartfelt offering of praise spanning hours. This symbolizes the depth of devotion and the unyielding commitment to the Divine.
O! Ignorant. Wake up! Why Are You Asleep?
The Sabad begins with a poignant reflection on the transient nature of life. Each day that dawns eventually fades away, and the impermanence of our stay in this world is underscored by the inevitability of departure.
My Sovereign is Dyed in Color-Love
This composition by Guru Nanak Sahib is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative. The reflection: The Creator is in the creation. Everything is brimming with love, operating in love.
You & I, I & You; What’s the Difference?
This composition by Bhagat Ravidas is in Rag Siri, an ancient musical mode sung at dusk. Its mood is majestic, reflective, and meditative.
My Mind Pines for Guru’s Vision
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Slowly and Gently Rains the Immortal Stream
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Your Nam is the Merchandise and the Trade, Indeed!
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
O! People, if I Meet a Trader of the Charmer-Divine
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
