This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Harinder Singh explains why Guru Arjan Sahib was tortured and martyred. The martyrdom took place under the orders of Emperor Jahangir during the second year of his reign.
Harinder Singh talk about Guru Arjan Sahib's life at the Guru Nanak Mission Centre in Brampton.
Harinder Singh talk about Guru Arjan Sahib's life at the Guru Nanak Mission Centre in Brampton.
Harinder Singh explains why Guru Arjan Sahib was tortured and martyred. The martyrdom took place under the orders of Emperor Jahangir during the second year of his reign.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
All vegetation contains fire, all milk contains clarified butter.In high and low the Light abides, in every being’s heart is Master-Illusionist. 1. O! True Congregation, in each and every heart abides ‘The One.’
Guru Arjan Sahib gifted the eventual Guru Granth Sahib to humanity. Why did the Guru envision it? How did the Guru compile it? What did the Guru curate?
This Sabad (Divine Word), in Rag Tilang of the Guru Granth Sahib, is one of the few Sabads by Guru Arjan Sahib revealed in fluent Persian speech.
“This Divine Narrative of the All-Pervasive is what Guru Arjan Sahib has gifted to humanity.The way to experience divine realization, is revealed in Sabad.”
In the enchanting melody of Dhanasari, a rag that evokes happiness, Guru Arjan Sahib weaves a Sabad that transcends the realms of joy and spiritual connection.
In the serene and contemplative ambiance of the Kedara rag, Guru Arjan Sahib's Sabad resonates with profound devotion and spirituality. Typically performed during the tranquil hours from 9 p.m. to midnight, the Kedara rag evokes deep emotions...
Sabad is Infinite; we are finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow as we deepen our relationship with the Sabad.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
In current times, the world is full of abundant images, pictures, portraits, artworks, and illustrations availing stocks and libraries as well as producing films and animations. What are the most appropriate images of the Guru Sahibs?
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
In the harmonious embrace of Dhanasari, a rag that resonates with happiness, Guru Arjan Sahib crafts a Sabad that delves into the profound aspects of spiritual realization and seeking divine refuge.
In this episode from the Persian Voice of the Guru Granth Sahib series, Asha Marie Kaur tells us of the Persian linguistic influences of a Sabad by Guru Arjan Sahib.
In a new podcast series The 12 Gurus: From 1469 to Infinity, SikhRI sheds light on the lives and meaning of Gurus in Sikhi. Were they spiritualists and reformers or Divine and Revolutionaries? What lessons can we draw from them?
The Sabad commences with a profound invocation – the cooling of body, mind, and bosom through the continuous remembrance of the Divine Owner. This remembrance transforms the very essence of the being, where beauty, color, comfort, wealth, and caste...
The Sabad begins with a gentle reminder to remember the All-Pervasive and immerse oneself in the divine Nam alongside the Sage-Guru. This call to remembrance is portrayed as a source of continuous bliss, nurturing the seed of spirituality within...
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
The Sabad cautions against the pitfalls of ego and self-centeredness, which hinder entry into the Divine realm and lead to regret and suffering.
The Sabad begins by expressing the sheer beauty and allure of the Beloved's love. The seeker, filled with excitement and conscious longing, focuses intently on the Beloved, highlighting a deep, unwavering devotion.
The Sabad begins with a gentle reminder to remember the All-Pervasive and immerse oneself in the divine Nam alongside the Sage-Guru. This call to remembrance is portrayed as a source of continuous bliss, nurturing the seed of spirituality within...
The Sabad commences with a profound invocation – the cooling of body, mind, and bosom through the continuous remembrance of the Divine Owner. This remembrance transforms the very essence of the being, where beauty, color, comfort, wealth, and caste...
In a new podcast series The 12 Gurus: From 1469 to Infinity, SikhRI sheds light on the lives and meaning of Gurus in Sikhi. Were they spiritualists and reformers or Divine and Revolutionaries? What lessons can we draw from them?
In this episode from the Persian Voice of the Guru Granth Sahib series, Asha Marie Kaur tells us of the Persian linguistic influences of a Sabad by Guru Arjan Sahib.