Harinder Singh and Jasleen Kaur explore the context of Indic paradigms, rituals, systems, and popular understandings that the Guru addresses in his reframing of renunciation and non-attachment.
This video serves as an introduction to the series, offering a conversation between Harinder Singh, the Innovation Director, and Jasleen Kaur, a Research Associate.
In this video Surenderpal shares about the newly launched annotation of two Sabads (Infinite-Wisdom) of Pahare by Guru Nanak Sahib in Sirirag. Sirirag is a rag (musical mode) that is serious in nature and thought-provoking.
The Guru Granth Sahib Project is pleased to launch the annotation of twelve Sabads (Infinite-Wisdom) by Guru Teghbahadar Sahib in Rag Sorath. Sorath is a rag (musical mode) of serious nature based on the mood of detachment.
Sabad is vast. It is infinite wisdom.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Nanak Sahib is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing as opposed to depression.
This composition by Bhagat Ravidas is in Rag Gauri Bairagan, a musical mode sung in the morning. It is a rag (musical measure) of sadness, separation, and longing.
This composition by Guru Arjan Sahib is in Rag Asa, a musical mode used to evoke a mood of hope, expectation, inspiration, and courage.
While reading the Guru Granth Sahib, we encounter various stanza structures within a Sabad, often indicated through corresponding titles on the Sabad. This diversity in stanza structures arises due to variations in the number of lines in the stanzas.
Guru Nanak Sahib and the Jogi narrative is from Bhai Sahib Bhai Vir Singh’s book, "Guru Nanak Chamatkar". The dialogue occurs at the hermitage of an ascetic sect residing in South India's Kanji Forest.
While reading the Guru Granth Sahib, we come across various Sabad structures and forms. Some small and others long. Some have two stanzas, others three, four, or more. What do these different stanzas tell us about a Sabad or its structure?
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
In the vibrant rhythm of rag Suhi, Guru Arjan Sahib's Sabad emanates profound love and devotion, evoking a sense of reverential adoration.
Embark on a poignant journey with the author as she reflects on her evolving relationship with her hair, exploring the nuanced layers of Sikh identity, love for Sabad, and the profound impact of choices made during the tumultuous times of 1984.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
This composition by Guru Arjan Sahib is in Rag Majh. This rag (musical mode) evolved from the folk music of the Majha area of the Panjab. There is no reference to this rag in Indian music. It is only sung in Panjab and is in the Guru Granth Sahib.
Delve into the Sabad (Shabad) of Guru Nanak Sahib in Rag (raag) Gauri Bairagan, from the Guru Granth Sahib, the sacred scripture of the Sikhs. Read the translation done by Harinder Singh and Inni Kaur.
Explore the Sabad (Shabad) of Guru Arjan Sahib in Rag (raag) Asa from the Guru Granth Sahib, the sacred scripture of the Sikhs. Sabad is the bond between the Guru and the Sikh. Read the translation done by Harinder Singh and Inni Kaur.
In this Sabad attributed to Bhagat Ravidas, a profound contemplation unfolds. This composition finds its musical foundation in Rag Gujri, an ancient melodic mode reserved for the early hours of the day, evoking a sense of serene awakening.
In this transcreation, the original Gurmukhi is followed by an English transcription to guide the Sabad’s (Divine Word) pronunciation in its original form.
In this transcreation, the original Gurmukhi is followed by an English transcription to guide the Sabad’s (Divine Word) pronunciation in its original form.
This is a continuation of the Persian Voice of the Guru's featuring the Sikh Research Institute's Researcher, Asha Marie Kaur.
The Sikh Research Institute's Asha Marie Kaur speaks on how Guru Nanak Sahib integrates Persian and Arabic vocabulary in Sabad to invoke Islamic practices, laying the foundation for a uniquely Sikh engagement with other faiths.
For this episode, The Sikh Cast host Manpreet Jassal and SikhRI's Inni Kaur go through this Sabad of the Month (Infinite-Wisdom) by Guru Nanak Sahib. In it, the Guru redefines the terms Jog and Jogi, outside the six systems of Hindu philosophy. Jog for the Guru is not yoga, neither mental or physical, but a “connection.”
Sabad is Infinite; we are very finite. This is our understanding at the moment, which was different yesterday and may evolve tomorrow, as we deepen our relationship with the Sabad.
The Sabad cautions against the pitfalls of ego and self-centeredness, which hinder entry into the Divine realm and lead to regret and suffering.
This Sabad is by Sheikh Farid (1173-1265) and is set in Rag Asa, a devotional musical framework. The essence of the composition lies in its contemplation of contrasting states.
Words of Faith: a new series explaining the recurring words in Guru Granth Sahib Sabad is vast. It is infinite wisdom. https://www.youtube.com/watch?v=Xrdpd9FRRug --- Support this podcast: https://anchor.fm/the-sikh-cast-sikhri/support
In our Sabad of the Month Sikh Cast Host, Manpreet Singh and Inni Kaur explore the Sabad O’ My mother! Mind pierced by the Compassionate. Mind the temple, body the ascetic cloth, bathe within the heart pilgrim-shrine. One Sabad lives on my breath, no longer entering birth-cycle. 1. O’ My mother! Mind pierced by the Compassionate. Who knows the pain of others? I worry not about others. 1. Reflect. O’ Unreachable! O’ Unperceivable! O’ Indescribable! O’ Immeasurable, worry about me. Totally pervading on land, water and sky, Your Light is in each and every one. 2. All teaching, knowing, understanding is Yours, body-temple shade is Yours. I know no other except You. O’ My Sovereign! I forever sing and praise You. 3. All beings, creatures in Your sanctuary. All cares are Yours. Nanak’s one prayer: Whatever pleases You, that is good. 4. – Guru Nanak Sahib in Rag Bilaval | Guru Granth Sahib 795 ਬਿਲਾਵਲੁ ਮਹਲਾ ੧ ॥ ਮਨੁ ਮੰਦਰੁ ਤਨੁ ਵੇਸ ਕਲੰਦਰੁ ਘਟ ਹੀ ਤੀਰਥਿ ਨਾਵਾ ॥ ਏਕੁ ਸਬਦੁ ਮੇਰੈ ਪ੍ਰਾਨਿ ਬਸਤੁ ਹੈ ਬਾਹੁੜਿ ਜਨਮਿ ਨ ਆਵਾ ॥੧॥ ਮਨੁ ਬੇਧਿਆ ਦਇਆਲ ਸੇਤੀ ਮੇਰੀ ਮਾਈ ॥ ਕਉਣੁ ਜਾਣੈ ਪੀਰ ਪਰਾਈ ॥ ਹਮ ਨਾਹੀ ਚਿੰਤ ਪਰਾਈ ॥੧॥ ਰਹਾਉ ॥ ਅਗਮ ਅਗੋਚਰ ਅਲਖ ਅਪਾਰਾ ਚਿੰਤਾ ਕਰਹੁ ਹਮਾਰੀ ॥ ਜਲਿ ਥਲਿ ਮਹੀਅਲਿ ਭਰਿਪੁਰਿ ਲੀਣਾ ਘਟਿ ਘਟਿ ਜੋਤਿ ਤੁਮ੍ਹਾਰੀ ॥੨॥ ਸਿਖ ਮਤਿ ਸਭ ਬੁਧਿ ਤੁਮ੍ਹਾਰੀ ਮੰਦਿਰ ਛਾਵਾ ਤੇਰੇ ॥ ਤੁਝ ਬਿਨੁ ਅਵਰੁ ਨ ਜਾਣਾ ਮੇਰੇ ਸਾਹਿਬਾ ਗੁਣ ਗਾਵਾ ਨਿਤ ਤੇਰੇ ॥੩॥ ਜੀਅ ਜੰਤ ਸਭਿ ਸਰਣਿ ਤੁਮ੍ਹਾਰੀ ਸਰਬ ਚਿੰਤ ਤੁਧੁ ਪਾਸੇ ॥ ਜੋ ਤੁਧੁ ਭਾਵੈ ਸੋਈ ਚੰਗਾ ਇਕ ਨਾਨਕ ਕੀ ਅਰਦਾਸੇ ॥੪॥੨॥
ਸੂਹੀ ਮਹਲਾ ੧ ਸੁਚਜੀ ॥ ਜਾ ਤੂ ਤਾ ਮੈ ਸਭੁ ਕੋ ਤੂ ਸਾਹਿਬੁ ਮੇਰੀ ਰਾਸਿ ਜੀਉ ॥ ਤੁਧੁ ਅੰਤਰਿ ਹਉ ਸੁਖਿ ਵਸਾ ਤੂੰ ਅੰਤਰਿ ਸਾਬਾਸਿ ਜੀਉ ॥ ਭਾਣੈ ਤਖਤਿ ਵਡਾਈਆ ਭਾਣੈ ਭੀਖ ਉਦਾਸਿ ਜੀਉ ॥ ਭਾਣੈ ਥਲ ਸਿਰਿ ਸਰੁ ਵਹੈ ਕਮਲੁ ਫੁਲੈ ਆਕਾਸਿ ਜੀਉ ॥ ਭਾਣੈ ਭਵਜਲੁ ਲੰਘੀਐ ਭਾਣੈ ਮੰਝਿ ਭਰੀਆਸਿ ਜੀਉ ॥ ਭਾਣੈ ਸੋ ਸਹੁ ਰੰਗੁਲਾ ਸਿਫਤਿ ਰਤਾ ਗੁਣਤਾਸਿ ਜੀਉ ਭਾਣੈ ਸਹੁ ਭੀਹਾਵਲਾ ਹਉ ਆਵਣਿ ਜਾਣਿ ਮੁਈਆਸਿ ਜੀਉ ॥ ਤੂ ਸਹੁ ਅਗਮੁ ਅਤੋਲਵਾ ਹਉ ਕਹਿ ਕਹਿ ਢਹਿ ਪਈਆਸਿ ਜੀਉ ॥ ਕਿਆ ਮਾਗਉ ਕਿਆ ਕਹਿ ਸੁਣੀ ਮੈ ਦਰਸਨ ਭੂਖ ਪਿਆਸਿ ਜੀਉ ॥ ਗੁਰ ਸਬਦੀ ਸਹੁ ਪਾਇਆ ਸਚੁ ਨਾਨਕ ਕੀ ਅਰਦਾਸਿ ਜੀਉ ॥੨॥ O’ Life of life! O’ Breath of breath! When You are with me, I have all wealth. O’ Life of life! O’ Breath of breath! When You are within me, comfort, grandeur exists within me. O’ Life of life! O’ Breath of breath! In Your Will, I sit on a majestic throne. In Your Will, I wander begging. O’ Life of life! O’ Breath of breath! In Your Will, water flows in drylands. In Your Will, lotus blooms in the sky. O’ Life of life! O’ Breath of breath! In Your Will, I cross the world-ocean. In Your Will, I drown. O’ Life of life! O’ Breath of breath! In Your Will, I get colored by Husband. I am absorbed in the treasure-house of virtues. O’ Life of life! O’ Breath of breath! In Your Will, Husband seems fearful, hence - I go through birth-death-cycles. O’ Life of life! O’ Breath of breath! In Your Will, Husband is unweighable, unreachable. I fall down acknowledging. O’ Life of life! O’ Breath of breath! What to ask, what to say, what to listen? I hunger and thirst for Your vision. O’ Life of life! O’ Breath of breath! In Gur Sabad1 I met Husband. This is Nanak’s true prayer. 2. 1. Guru Nanak Sahib in Rag Suhi | Guru Granth Sahib 762 *The wisdom learnt from the Guru. Popularly refers to the hymns in the Guru Granth Sahib.